File:Boilly-Point-de-Convention-ca1797.jpg
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Boilly-Point-de-Convention-ca1797.jpg (650 × 518 pixels, file size: 64 KB, MIME type: image/jpeg)
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Summary
[edit]Louis-Léopold Boilly: Absolutely no agreement | |||||||||||||||||||||||||
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Artist |
artist QS:P170,Q715909 |
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Title |
Français : Point de Convention
English: Absolutely no agreement |
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Object type | painting | ||||||||||||||||||||||||
Genre | genre art | ||||||||||||||||||||||||
Description |
English: A painting by Louis-Léopold Boilly showing some of the transient and ephemeral extremes that accompanied the adoption of strongly neo-classically influenced styles in Paris during the second half of the 1790s (ca. 1797). The woman has been interpreted as a prostitute (who is disdaining the inadequate coin proferred by the fashionable gentleman getting his shoes shined at left), so her outfit obviously should not be taken as typical of trendy Parisian women's attire of the time. On the other hand, 18th-century and 19th-century streetwalkers did not generally wear clothing that looks extra "sexy" in 21st-century eyes as compared with normal women's attire of the time (streetwalkers sported faded finery worn in an inappropriate context more often than excessively revealing attire -- see Image:1787-prostitutes-caricature.jpg, for example), and the idea that such an outfit could be worn on the streets of Paris tells its own story (it could never have been worn outdoors in London). |
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Depicted people | Merveilleuse | ||||||||||||||||||||||||
Date |
circa 1797 date QS:P571,+1797-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | painting | ||||||||||||||||||||||||
Dimensions |
height: 310 cm (10.1 ft) ; width: 400 cm (13.1 ft) dimensions QS:P2048,+310U174728 dimensions QS:P2049,+400U174728 |
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Collection | |||||||||||||||||||||||||
References | Athenaeum artwork ID: 79598 | ||||||||||||||||||||||||
Source/Photographer | Unknown sourceUnknown source | ||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 12:43, 4 March 2022 | 650 × 518 (64 KB) | Chassipress (talk | contribs) | Version originale non détourée | |
15:39, 25 May 2006 | 872 × 672 (180 KB) | Churchh (talk | contribs) | ''Point de Convention'' ("Absolutely no agreement"), a painting by Louis-Léopold Boilly showing some of the transient and ephemeral extremes that accompanied the adoption of strongly neo-classically influenced styles in Paris during the second half of th |
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c184b0bec9c17219578d8a0dd4000213a1f51451
65,536 byte
518 pixel
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Categories:
- Fashion in 1797
- 1797 in Paris
- 1797 in France
- Females with white dresses in art
- Prostitution in art
- Prostitutes and customers
- People with boots in art
- Incroyables and Merveilleuses
- Fashion plates depicting men
- 1790s fashion plates
- People reaching for objects
- Shoeshiners in art
- Urban life paintings of Paris
- Paintings of people in Paris
- People with canes in art
- Men and women in art
- Queues (hair fashion)
- Paintings by Louis-Léopold Boilly
- Illustrations of top hats
- Gestures in art
- Armlets in art
- 1790s dresses
- Transparent clothing in art
- Titus haircut
- Contempt
- Top hats in the 1790s
- Dress coats in the 18th century