File:Charlotte Salomon - JHM 4762 -Kristallnacht.jpg

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Charlotte Salomon: from Leben? oder Theater? Ein singspiel   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Charlotte Salomon  (1917–1943)  wikidata:Q213735 q:en:Charlotte Salomon
 
Charlotte Salomon
Alternative names
Sharlota Salomon; Charlotte Kann; C. Salomon
Description German artist, painter, author and writer
Date of birth/death 16 April 1917 Edit this at Wikidata 10 October 1943 Edit this at Wikidata
Location of birth/death Berlin Edit this at Wikidata Auschwitz II-Birkenau concentration camp Edit this at Wikidata
Work period from 1939 until 1943
date QS:P,+1950-00-00T00:00:00Z/7,P580,+1939-00-00T00:00:00Z/9,P582,+1943-00-00T00:00:00Z/9
Work location
Villa L'Ermitage, Villefranche-sur-Mer, 43°42′14″N 7°18′19″E / 43.703977°N 7.305241°E / 43.703977; 7.305241, (1939-1943) and Hotel "Belle Aurore", Saint-Jean-Cap-Ferrat, 43°41′30″N 7°19′50″E / 43.691556°N 7.330430°E / 43.691556; 7.330430, (summer 1942), France
Authority file
artist QS:P170,Q213735
Title
from
Leben? oder Theater? Ein singspiel
Date between circa 1940 and circa 1942
date QS:P571,+1940-00-00T00:00:00Z/8,P1319,+1940-00-00T00:00:00Z/9,P1326,+1942-00-00T00:00:00Z/9,P1480,Q5727902
Medium gouache on paper
medium QS:P186,Q204330;P186,Q11472,P518,Q861259
Dimensions height: 25 cm (9.8 in); width: 32.5 cm (12.7 in)
dimensions QS:P2048,25.0U174728
dimensions QS:P2049,32.5U174728
institution QS:P195,Q702726
Accession number
4351
Exhibition history Fodor Museum, Amsterdam, 1961 (brochure)
Credit line Charlotte Salomon Foundation
Inscriptions Artist's monogram CS bottom right. Page number 384 bottom centre.
Notes
  • This work is a gouache by Charlotte Salomon, part of her principal work Life? or Theatre?. It depicts the so-called Kristallnacht, a series of coordinated attacks against Jews throughout Nazi Germany and parts of Austria on 9–10 November 1938. The gouache preceding depicts an edition of Der Angriff ( a Nazi newspaper) dealing with the pretext for the attacks, the murder of the German diplomat Ernst vom Rath by Herschel Grynszpan. The gouaches are placed by editors to commence the section New Section, Chapter One: And Time Marches On in the Main Section of the work.
  • There is a transparency thought to be associated with this gouache. For the Jewish Historical Museum interactive page use this link.
  • The text at the top left reads "Juda verrecke! Nehmt alles, was Ihr nehmen könnt!" ("Death to Jews! Grab what you can!") The picture depicts a row of houses with swastika flags hanging from every window. Below are Jewish shops with names like Levy and Cohen being looted by rioters. In the middle of the square a book-burning appears to be taking place. In the lower right three dejected detainees are being frogmarched away (Felstiner pp. 75-7).
References
  • Paul Tillich and Emil Strauss, Charlotte: A Diary in Pictures, 1963, New York : Harcourt, Brace & World LCCN 63014210.
  • (ed.) Judith Herzberg, Charlotte Salomon: Life or Theater?. The Viking Press, New York, 1981. ISBN 0-670-21283-0.
  • Mary Lowenthal Felstiner, To Paint Her Life. Harper Collins, 1994. ISBN 0-06-017105-7.
  • Michael P. Steinberg (Editor), Monica Bohm-Duchen (Editor), Reading Charlotte Salomon, Cornell University Press, 2005. ISBN 0-8014-3971-X.
  • Christine Fischer-Defoy and Judith C. E. Belinfante, Biography 1917-194, in Charlotte Salomon: Life? or Theatre?. Royal Academy of Arts, London, 1998, ISBN 0-900946-66-0 (pp. 15-25)
Source/Photographer Museum page
Permission
(Reusing this file)
  • The bulk of Charlotte Salomon's work was published for the purposes of US law when her estate gifted her work to the Charlotte Salomon Foundation at the Joods Historisch Museum in 1971. If follows that the bulk of her work only enters the Public Domain in the US 95 years later at the end of 2066. In addition an earlier tranche of some 80 gouaches published in 1963 both in the US and abroad entered the Public Domain in the US in 1992 because their copyright was not renewed. However these gouaches may have had their copyright restored under the terms of the Uruguay Round Agreements Act (URAA) depending on whether their original publication in the US coincided or not with their publication abroad. It is not Commons policy to host URAA restored works.

Licensing

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