File:Christ as Man of Sorrows between Four Angels.jpg
Original file (675 × 890 pixels, file size: 154 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Master E. S.: Man of Sorrows between Four Angels ( ) | |||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q70783 |
||||||||||||||||||||||||||
Title |
Man of Sorrows between Four Angels |
||||||||||||||||||||||||||
Date |
circa 1460 date QS:P571,+1460-00-00T00:00:00Z/9,P1480,Q5727902 |
||||||||||||||||||||||||||
Medium | copper engraving print | ||||||||||||||||||||||||||
Dimensions |
height: 151 mm (5.94 in); width: 113 mm (4.44 in) dimensions QS:P2048,151U174789 dimensions QS:P2049,113U174789 |
||||||||||||||||||||||||||
Collection |
institution QS:P195,Q570620 |
||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/m/master/es/0mansorr.html" |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 03:29, 12 December 2005 | 675 × 890 (154 KB) | Cherubino (talk | contribs) | {{Information| |Description = Man of Sorrows between Four Angels, Copper engraving, 151 x 113 mm |Source = http://www.wga.hu/ Web gallery of art; Kupferstichkabinett, Dresden |Date = c. 1460 |Author = Meister E. S. |Permission = pd art |other_version |
You cannot overwrite this file.
File usage on Commons
The following 2 pages use this file:
File usage on other wikis
The following other wikis use this file:
- Usage on bar.wikipedia.org
- Usage on br.wikipedia.org
- Usage on ca.wikipedia.org
- Usage on cs.wikipedia.org
- Usage on da.wikipedia.org
- Usage on de.wikipedia.org
- Usage on en.wikipedia.org
- Usage on es.wikipedia.org
- Usage on fr.wikipedia.org
- Usage on id.wikipedia.org
- Usage on mk.wikipedia.org
- Usage on nl.wikipedia.org
- Usage on pl.wikipedia.org
- Usage on sk.wikipedia.org
- Usage on sv.wikipedia.org
- Usage on tr.wikipedia.org
- Usage on www.wikidata.org
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
JPEG file comment | MASTER E.S.
(active 1450-1467 Upper Rhine) Man of Sorrows between Four Angels c. 1460 Copper engraving, 151 x 113 mm Kupferstichkabinett, Dresden The standing Redeemer with crown of thorns and cross-shaped nimbus shows the wounds in his side and his hands and feet. The angels placed symmetrically around him carry some of the instruments of the Passion: the cross, the Flagellation column, the lance and the sponge, the scourge and nails. The figures are placed in a cool and desolate landscape. This print by Master E.S. was most copied by other engravers including Israhel van Meckenem, but also in miniatures and in paintings. Characteristic of Master E.S. is the soft, dancing movement and long fingers of his figures, while the heads, especially of his female figures, tilt over onto one shoulder. The master must have made more than five hundred different engravings, including a large number of ornamental prints, which points to his prior activities as a goldsmith. He was the first to apply the technique of crosshatching to engraving. The Man of Sorrows between four angels, one of his best works, epitomises the master's sense of proportion in the human body and his skill in suggesting sculptural volume. Master E.S. not only influenced engravers in Germany but also in the Netherlands.
Author: MASTER E.S. Title: Man of Sorrows between Four Angels Time-line: 1451-1500 School: German Form: graphics Type: religious |
---|