File:Correggio 004.jpg
Original file (732 × 1,026 pixels, file size: 129 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Antonio da Correggio: Nativity | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q8457 |
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Title |
Deutsch: Anbetung der Hirten (Die Nacht) English: The Nativity |
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Object type | painting | ||||||||||||||||||||||||||
Genre | religious art | ||||||||||||||||||||||||||
Description | |||||||||||||||||||||||||||
Depicted people | |||||||||||||||||||||||||||
Date |
between 1529 and 1530 date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1529-00-00T00:00:00Z/9,P1326,+1530-00-00T00:00:00Z/9 |
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Medium |
oil on panel medium QS:P186,Q296955;P186,Q287,P518,Q861259 |
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Dimensions |
height: 256.5 cm (100.9 in); width: 188 cm (74 in) dimensions QS:P2048,256.5U174728 dimensions QS:P2049,188U174728 |
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Collection |
institution QS:P195,Q4890 |
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Current location |
Deutsch: Dresden |
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Accession number |
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Notes |
Deutsch: vgl. Pendant Madonna des Hl. Hieronymus (Der Tag), Parma |
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References |
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Authority file | |||||||||||||||||||||||||||
Source/Photographer | The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202. | ||||||||||||||||||||||||||
Permission (Reusing this file) |
[1] |
Antonio da Correggio
(1489–1534) |
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Alternative names |
Birth name: Antonio Allegri | ||
Description | -Italian painter, drawer and fresco painter | ||
Date of birth/death |
circa 1490 date QS:P,+1490-00-00T00:00:00Z/9,P1480,Q5727902 | 5 March 1534 | |
Location of birth/death | Correggio bei Modena | Correggio | |
Work location | |||
Authority file |
Licensing
[edit]Public domainPublic domainfalsefalse |
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. | |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Public domainPublic domainfalsefalse |
The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project. The compilation copyright is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License.
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 23:53, 14 December 2007 | 732 × 1,026 (129 KB) | Shakko (talk | contribs) | ||
07:35, 19 May 2005 | 2,024 × 2,785 (210 KB) | File Upload Bot (Eloquence) (talk | contribs) | {{Painting| |Title=<br /> ** ''de:'' Anbetung der Hirten (Die Nacht) |Technique=<br /> ** ''de:'' Öl auf Holz |Dimensions=<br /> ** ''de:'' 256,5 × 188 cm |Location=<br /> ** ''de:'' Dresden |Country=<br /> ** ''de:'' Italien |Gallery=<br /> ** ''de:'' |
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Metadata
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JPEG file comment | CORREGGIO
(b. cca. 1490, Correggio, d. 1534, Correggio) Nativity (Holy Night) 1528-30 Oil on canvas Gemäldegalerie, Dresden The painting was commissioned in October 1522 and completed at the end of the decade. It has been described as the first monumental nocturnal scene in European painting, and it is an ideal companion to the Madonna with St Jerome, also known as The Day, painted only a few years earlier for another private chapel.. The artist, following the trail blazed by a number of celebrated works by Titian, interprets a scene that is fully 'à la chandell' and produces an outstanding result. The light appears simultaneously to bathe and to emerge from the Child, who is lying on a rough pallet, only to soften on the face of the Virgin, tenderly rapt in a maternal embrace. They are surrounded by the fluid gestures of the shepherds and of St Joseph, who is holding back the donkey, and by the kicking legs of the angels transported by the cloud that spreads hazily through the picture. Although attenuated by the dim nocturnal light that tones down all the shades, the painting is not lacking in color and the chiaroscuro spreads over and softens every form, bringing out their rotundities and caressing those leaves that are reminiscent of Leonardo and Veneto--Ferrarese painting. It is a picture that points the way toward the future Lombard investigation of luministic effects, and was used as a model by such painters as Procaccini, Reni, and Domenichino, and even later on, by Barocci and Maratta.
Author: CORREGGIO Title: Nativity (Holy Night) Time-line: 1501-1550 School: Italian Form: painting Type: religious |
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Structured data
image/jpeg
e444c6e4ec264d0fa76ec1a79213367979c9524a
132,474 byte
1,026 pixel
732 pixel
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