File:Cruciform Sala a Crociera (cropped1).jpg
Cruciform_Sala_a_Crociera_(cropped1).jpg (80 × 151 pixels, file size: 4 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Artist |
artist QS:P170,Q9440 |
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Description |
Български: Вила Барбаро
Изглед от Кръстовидната стая 1560 – 61 г. ü От двете срани на вратата са изобразени свирещи музи. Те сякаш приканват и посрещат посетителя в стаята. |
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Date |
between circa 1560 and circa 1561 date QS:P571,+1560-00-00T00:00:00Z/8,P1319,+1560-00-00T00:00:00Z/9,P1326,+1561-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium |
fresco medium QS:P186,Q25631150 |
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Collection |
institution QS:P195,Q1071495 |
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Current location |
Sala a crociera |
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Source/Photographer | wga.hu | ||||||||||||||||||||||||||
Other versions |
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Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 05:31, 30 September 2022 | 80 × 151 (4 KB) | Maltaper (talk | contribs) | File:Cruciform Sala a Crociera.jpg cropped 95 % horizontally, 83 % vertically using CropTool with precise mode. |
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Metadata
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JPEG file comment | VERONESE, Paolo
(b. 1528, Verona, d. 1588, Venezia) View into the Cruciform Sala a Crociera 1560-61 Frescoes and plaster decoration Villa Barbaro, Maser Painted Corinthian columns and "arcades", presumably carried out by Veronese's brother and assistant Benedetto Caliari, form a light architectural framework for the extraordinarily delightful trompe l'oeil landscapes with small figures and classical buildings. A continuous plaster cornice provides an upper edge and three-dimensional wall articulation, and was - like the door frames - presumably done to a design by the painter. In 1648, Veronese's biographer Carlo Ridolfi was the first to identify the musicians as muses. A pair of them flanked each of the illusory doors in the "transept" vestibules through which visitors appear to enter the room. The final elements of the decoration are the grisaille equestrian scenes below, which are in the style of cameos.
Author: VERONESE, Paolo Title: View into the Cruciform Sala a Crociera Time-line: 1551-1600 School: Italian Form: painting Type: interior |
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