File:Das letzte Abendmahl.jpg

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Summary

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Last Supper  wikidata:Q80944404 reasonator:Q80944404
Artist
Pieter Coecke van Aelst and workshop  (1502–1550)  wikidata:Q434006
 
Pieter Coecke van Aelst and workshop
Alternative names
Pieter Cock van Aelst, Pieter Cock van Alost, Pieter Coecke van Alost, Pieter Kock van Aelst, Pieter Kock van Alost, Pieter Koecke van Aelst, Pieter Koecke van Alost
Description Flemish architect, sculptor, painter and drawer
Date of birth/death 14 August 1502 Edit this at Wikidata 6 December 1550 Edit this at Wikidata
Location of birth/death Aalst Edit this at Wikidata City of Brussels Edit this at Wikidata
Work location
City of Brussels (1517-1521), Italy (1527), Aalst (circa 1527
date QS:P,+1527-00-00T00:00:00Z/9,P1480,Q5727902
), Bruges (circa 1527
date QS:P,+1527-00-00T00:00:00Z/9,P1480,Q5727902
), Antwerp (1527), Constantinople, today Istanbul (1533-1534), Antwerp (1534)
Authority file
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
Last Supper
label QS:Lde,"Letztes Abendmahl"
label QS:Len,"Last Supper"
label QS:Lit,"ultima cena"
label QS:Lnl,"Laatst avondmal"
Object type painting Edit this at Wikidata
Genre religious art Edit this at Wikidata
Description
English: The most notable differences between the present version and most others are the simplified checkerboard pattern of the floor and the dog in the foreground that misses its playmate. It is therefore different from the Poznan version as recorded in the RKD, as that painting features a second dog and the more common tiled floor pattern. Other details exclusive to this version include faint lines on Judas' feet, possibly sandal straps, and the stripes on the green garments of the apostle seen from behind. Small biblical scenes are depicted in the background, heightening the impact of the main theme. Through the window we see an archway (in typical Antwerp style) with the Entry in Jerusalem, an episode of the Passion that preceeds the Last Supper. In the ornamented window we can see depictions of the Fall of Man. The medals represent the stories of David and Goliath and the Slaying of Cain. The whole iconography is focused on original sin and mankind's salvation through Christ's sacrifice.
Date 1528 Edit this at Wikidata
Medium oil on panel
medium QS:P186,Q296955;P186,Q106857709,P518,Q861259
Dimensions height: 61 cm (24 in); width: 80.7 cm (31.7 in)
dimensions QS:P2048,61U174728
dimensions QS:P2049,80.7U174728
Object history Anonymous sale; Christie's, New York, 5 June 1985, lot 133.
Sold at Christie's, New York, 28 January, 2009 lot 253
Inscriptions dated 'ANNO 1528' (on the medals, center); 'FVNDA.LAPIDE.CLADIO:ViCiT.DAVID.GOLiATH.' (upper left)
Notes as one of the most popular images of the 16th century this image freely combines Leonardo da Vinci's Last Supper in Milan and Marcantonio Raimondi's engraving after Raphaels drawing 1510-1520 with the apostles' gestures from the famous print by Albrecht Dürer 1523. The scene with Cain and Abel is taken directly from a print by another popular Renaissance artist, Jan Gossaert, called Mabuse (active 1503-32).
References Christie's object ID: 5175936 Edit this at Wikidata
Source/Photographer Christie's, LotFinder: entry 5175936 (sale 2135, lot 253, New York, 28 January 2009)
Other versions
English: The scene was so popular, that forty-five versions are known today, most versions are dated from 1527 to 1550, of which six or seven versions carry the early date 1528, an exceptionally productive year.
Annotations
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Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

File history

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Date/TimeThumbnailDimensionsUserComment
current20:59, 30 June 2015Thumbnail for version as of 20:59, 30 June 20152,621 × 1,979 (2.02 MB)Trzęsacz (talk | contribs)same source; http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5175936
16:39, 12 March 2010Thumbnail for version as of 16:39, 12 March 20101,788 × 1,304 (725 KB)Achwas (talk | contribs){{Information |Description=Das Letzte Abendmahl. Öl auf Holz. |Source=[http://www.christies.com/ christies.com] LOT 16 / Sale 2840 |Date=16. Jahrhundert |Author=Werkstatt Pieter Coecke van Aelst (Aalst 1502-1550 Brussels) |Permission= |other_versions= }

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