File:Fierens-Gevaert, La renaissance septentrionale - 1905 (page 175 crop).jpg
Original file (3,271 × 2,621 pixels, file size: 1.42 MB, MIME type: image/jpeg)
Captions
Summary
[edit]The three Marys at the Tomb | ||||||||||||||||||||||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q102272
artist QS:P170,Q364350 |
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Title | ||||||||||||||||||||||||||||||||||||||||||||||||
Object type | painting | |||||||||||||||||||||||||||||||||||||||||||||||
Genre | religious art | |||||||||||||||||||||||||||||||||||||||||||||||
Description |
Fragment, possibly from an altarpiece to the Virgin Mary. |
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Depicted people | ||||||||||||||||||||||||||||||||||||||||||||||||
Date | circa 1425-1435 | |||||||||||||||||||||||||||||||||||||||||||||||
Medium | oil on oak wood | |||||||||||||||||||||||||||||||||||||||||||||||
Dimensions |
height: 71.5 cm (28.1 in); width: 90 cm (35.4 in) dimensions QS:P2048,71.5U174728 dimensions QS:P2049,90U174728 |
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Collection |
institution QS:P195,Q679527 |
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Current location |
room 05 |
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Accession number |
2449 (OK) |
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Place of creation | Southern Netherlands | |||||||||||||||||||||||||||||||||||||||||||||||
Object history |
Philippe de Commines (1447-1511), France by 1770date QS:P,+1770-00-00T00:00:00Z/7,P1326,+1770-00-00T00:00:00Z/9 (?): Jacques Winckelmann, Southern Netherlands (?)
4 May 1770: sale of the collection of J. Winckelmann at de Cock, Bruges, lot no. 68 (as ‘Un grand Tableau anticq, représentant les trois mages, par Hemmelyck, haut 4. p. 4. p. large 6. pieds.’) (?) date QS:P,+1826-00-00T00:00:00Z/7,P1326,+1826-00-00T00:00:00Z/9 : Bernard Bauwens (1734-1826), Bruges
8 August 1826: purchased by N.N. (art dealer) at the sale of the collection of B. Bauwens at an unknown auction house, Bruges, lot no. 90 1854: anonymous sale date QS:P,+1872-00-00T00:00:00Z/7,P1326,+1872-00-00T00:00:00Z/9 (?): William Middleton, City of Brussels
26 January 1872–27 January 1872: purchased by Mr. Johnson, London at the sale of the collection of William Middleton, Esq. deceased, received from Brussels at Christie's, London, lot no. 140 (as Jan van Eyck) 1872 (?): purchased by John Charles Robinson (1824-1913), London, from Mr. Johnson date QS:P,+1872-00-00T00:00:00Z/8,P1319,+1872-00-00T00:00:00Z/9,P1326,+1873-00-00T00:00:00Z/9 : purchased by Francis Cook, 1st Baronet (1817-1901), Doughty House, Category:Richmond, Surrey, from John Charles Robinson, Londonpresumably 1901: inherited by Frederick Cook, 2nd Baronet (1844-1920), Doughty House, Category:Richmond, Surrey presumably 1920: inherited by Herbert Cook, 3rd Baronet (1868-1939), Doughty House, Category:Richmond, Surrey 30 April 1940: purchased by Daniël George van Beuningen (1877-1955), Rotterdam/Vierhouten for GBP 250,000 |
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Exhibition history |
Exhibition of the Works of the Old Masters, associated with works of deceased masters of the British School, paintings in oil and water-colours, and sculpture - 4th year, Royal Academy of Arts, London, 1873, cat. no. 171, p. 18, as Jan van Eyck. Exhibition of pictures by masters of the Netherlandish and allied schools of XV. and early XVI. centuries, Burlington Fine Arts Club, London, 1892, cat. no. 11. Exhibition of pictures by masters of the Flemish and British schools. Including a selection from the works of Sir Peter Paul Rubens, New Gallery, London, 1899–March 1900, cat. no. 9, p. 3, as Jan van Eyck. Exposition des primitifs flamands et d'art ancien, Provinciaal Hof Brugge, Bruges, 15 June 1902–15 September 1902, cat. no. 7, p. 3, as Hubert van Eyck. Catalogue of the exhibition of works by Flemish and modern Belgian painters, Guildhall Art Gallery, London, 3 May 1906–28 July 1906, cat. no. 1, p. 17-19, as Hubert van Eyck, lent by Sir Frederick Cook. A catalogue of pictures and drawings in the National Loan Exhibition, in aid of National Gallery Funds, Grafton Galleries, London, 7 October 1909–January 1910, cat. no. 75, as Jan van Eyck. Exhibition of Flemish and Belgian art - 1300 to 1900, Royal Academy of Arts, London, 8 January 1927–5 March 1927, cat. no. 7, p. 14-15, as Hubert van Eyck, lent by Herbert Cook. Nederlandsche kunst van de XVde en XVIde eeuw, Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague, 1 September 1945–15 October 1945, Cat.no. 50, p. 40-41, as Jan van Eyck; uitgeleend door D.G. van Beuningen. Kunstschatten uit Nederlandse verzamelingen, Museum Boymans, Rotterdam, 19 June 1955–25 September 1955, cat. no. 9, p. 15-16. Van Eyck to Bruegel, 1400-1550. Dutch and Flemish painting in the collection of the Museum Boymans-van Beuningen, Museum Boymans-van Beuningen, Rotterdam, 1994, ISBN 9789069181370, Cat.no. 2. |
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Inscriptions |
on the frame: .A´C.IXH.XAN
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References |
Museum Boijmans Van Beuningen collection online, as Jan van Eyck, Hubert van Eyck, The three Marys at the tomb, 1425-1435, height: 71.5 cm (28.1 in); width: 90 cm (35.4 in) dimensions QS:P2048,71.5U174728 dimensions QS:P2049,90U174728 .RKDimages, Art-work number 2112, as Attributed to Jan van Eyck or Attributed to Hubert van Eyck, De drie Maria's bij het lege graf, circa 1425-1435 (1420-1440), height: 71.5 cm (28.1 in); width: 89 cm (35 in) dimensions QS:P2048,71.5U174728 dimensions QS:P2049,89U174728
Royal Institute for Cultural Heritage Photolibrary, object number 40004098, as Attributed to Jan van Eyck, Hubert van Eyck, De drie Maria's bij het graf, 1425-1435, height: 71.5 cm (28.1 in); width: 89 cm (35 in)dimensions QS:P2048,71.5U174728 dimensions QS:P2049,89U174728 . |
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Source/Photographer |
Internet Archive identifier: larenaissancesep00fier
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Other versions | Category:The Three Marys at the Tomb by van Eyck |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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current | 18:12, 7 June 2019 | 3,271 × 2,621 (1.42 MB) | Newnewlaw (talk | contribs) | File:Fierens-Gevaert, La renaissance septentrionale - 1905.djvu cropped -8 % horizontally, 46 % vertically, rotated 90° using CropTool with precise mode. |
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