File:Gyárfás, Jenő - The Ressurrection of the Daughter of Jairus (ca 1880).jpg
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Captions
Jenő Gyárfás: The Resurrection of the Daughter of Jairus ( ) | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q1029985 |
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Title | ||||||||||||||||||||||||
Date |
circa 1880 date QS:P571,+1880-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium |
pen medium QS:P186,Q165447 |
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Dimensions |
height: 210 cm (82.6 in); width: 223 cm (87.7 in) dimensions QS:P2048,210U174728 dimensions QS:P2049,223U174728 |
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Collection |
institution QS:P195,Q252071 |
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Source/Photographer | Fine Arts in Hungary: | |||||||||||||||||||||||
Permission (Reusing this file) |
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current | 23:12, 7 December 2008 | 724 × 650 (85 KB) | Jedudedek (talk | contribs) | {{Information |Description= |Source=internet |Date= |Author= |Permission=Reproduction of a painting that is in the public domain because of its age |other_versions= }} {{PD-Art}} Category:Jenő Gyárfás |
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JPEG file comment | GYÁRFÁS Jenõ
(1857, Sepsiszentgyörgy - 1925, Sepsiszentgyörgy) Jairus lányának feltámasztása 1880 körül Toll, 210 x 223 mm Magyar Nemzeti Galéria, Budapest A magyar történelembõl, irodalomból vagy a bibliából vette rajzai témáit. Különösen szép lavírozott tussal készült korai sorozata, melyet a mûvésztõl vásárolt meg a múzeum. A portréin is szembetûnõ jellemábrázoló kézség, az egész lap festõi, folthatásokra épített felfogása bizonyítja a mûvész kiemelkedõ tehetségét. Elsõ arcképeinek és a rajzoknak sokat ígérõ megoldásai, majd az ezeket követõ nagyobb szabású képek fáradtsága nemcsak egy mûvészetében tragikus sorsú mester, de egy korszak útkeresését is jelzik. Iskolázottságuk, történeti szemléletük még a történeti festészet nagy nemzedékéhez kapcsolja e mûvészeket, néhány mûvük oldottabb festõisége elõre mutat a millennium éveiben kialakuló modern magyar festészetre. GYÁRFÁS, Jenõ (1857, Sepsiszentgyörgy - 1925, Sepsiszentgyörgy) The Ressurrection of the Daughter of Jairus c. 1880 Pen and wash, 210 x 223 mm Hungarian National Gallery, Budapest Gyárfás drew the themes for his drawings from Hungarian history, literature or the Bible. His early series in ink and wash is especially beautiful. The Museum of Fine Arts bought this piece from the artist himself. The outstanding talent of the artist is evident from the forceful characterization, also apparent in his portraits, and the painterly approach, based on the effects of light and dark form. The promising first portraits and drawings and the dry, larger paintings that followed not only show this tragic artist's search for new expression, but also epitomize the whole period. Their education and historic attitude linked most artists to the great masters of historical painting, but the freer handling of some of their pictures was already preparing the ground for modern Hungarian painting in the years around the Millennium. Type: religious Time-line: 1876-1900 Form: graphics |
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