File:Nanban-Screens-by-Kano-Naizen-c1600.png
Original file (9,500 × 4,112 pixels, file size: 43.13 MB, MIME type: image/png)
Captions
Summary
[edit]Kanō Naizen: Arrival of the Southern Barbarians (Nanban-jin) Screen | ||||||||||||||||||||||||
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Artist |
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Author |
Kanô Naizen (1570-1616) |
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Title |
Arrival of the Southern Barbarians (Nanban-jin) Screen label QS:Len,"Arrival of the Southern Barbarians (Nanban-jin) Screen"
label QS:Lja,"南蛮人渡来図"
label QS:Lfr,"Débarquement des barbares du sud (Nanban-jin)" |
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Object type | painting / folding screen | |||||||||||||||||||||||
Genre | Nanban art | |||||||||||||||||||||||
Description |
English: Kano Naizen's "Arrival of the Southern Barbarians Screen" circa 1600, from the Kobe City Museum Collection. This six-fold byōbu (lacquer and gilded screen) shows foreigners arriving at a shore of Japan during the Nanban trade.
The ship depicts a Nanban ship arriving at a Japanese port after a voyage from a foreign country, unloading traded goods, a group of Capitan's who landed, Jesuit missionaries, Franciscan monks, and Japanese believers welcoming them. .. The karamono shop sells traded goods such as tiger and leopard fur, silk fabrics and ceramics. At the back of the Karamonoya is Nanban-ji Temple, where ceremonies are held in front of the altar with the statue of the Messiah. It is a good representation of the reality of Nanban trade, where trade and missionary work were integrated, with the main focus being intermediary trade. It also features many rare beasts from Nanban, such as elephants, Arabian horses, and greyhound dogs. Relentlessly detailed depictions, lively portraits, and vibrant colors make Kano Naizen a prominent figure in the Nanban folding screens.
日本語: 狩野内膳作『南蛮人渡来図』(右隻)神戸市立博物館所蔵。
右隻には異国からの航海を経て日本の港へ到着した南蛮船、貿易品の荷揚げ、上陸したカピタン一行、彼らを出迎えるイエズス会宣教師やフランシスコ会修道士、日本人信者たちが描かれています。唐物屋には虎や豹の毛皮、絹織物、陶磁器などの貿易品が扱われています。唐物屋の奥には南蛮寺があり、内部では救世主像の掲げられた祭壇の前で儀式が執り行われています。仲介貿易が主体で、貿易と布教が一体となっていた南蛮貿易の実状をよく表されています。象、アラビア馬、グレイハウンド種の洋犬など、南蛮渡来の珍獣が多く描かれているのも特徴です。執拗なまでに緻密な描写、活き活きとした人物表現、鮮やかな色彩など、南蛮屏風のなかでも突出した存在です。 |
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Date |
circa 1600 date QS:P571,+1600-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | paper and paint | |||||||||||||||||||||||
Collection |
institution QS:P195,Q3330666 |
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References | ||||||||||||||||||||||||
Source/Photographer | namban-screens-right-hand-screen-kan%C3%B4-naizen/CAEfKzD1vqAV8A — Google Arts & Culture , more information: https://www.kobecitymuseum.jp/collection/detail?heritage=365028 | |||||||||||||||||||||||
Other versions |
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Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 07:21, 19 May 2021 | 9,500 × 4,112 (43.13 MB) | Artanisen (talk | contribs) | Uploaded a work by Kanô Naizen (1570-1616) from https://artsandculture.google.com/asset/namban-screens-right-hand-screen-kan%C3%B4-naizen/CAEfKzD1vqAV8A with UploadWizard |
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Width | 9,500 px |
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Height | 4,112 px |
Bits per component |
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Pixel composition | RGB |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Exif version | 2.21 |
Color space | Uncalibrated |
Image width | 9,500 px |
Image height | 4,112 px |
Unique ID of original document | 29D97566BB4209CE9CA2D9FD895CD9C8 |
Date and time of digitizing | 13:39, 18 May 2021 |
File change date and time | 13:46, 18 May 2021 |
Date metadata was last modified | 13:46, 18 May 2021 |
Software used | Adobe Photoshop CC 2015 (Windows) |
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