File:Obvodniy kanal (1902).jpg

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Добужинский М.В. Петербург. Обводный канал. 1902. Бумага, акварель, графитный карандаш 22,2 х 32. Государственный Русский музей.

"Жуткий" Обводный канал в начале века фактически являлся границей города. За ним начинались неблагоустроенные окраины, фабрики, заводы, склады. Этот мир притягивал Добужин-ского своей „томительной и горькой поэзией", он первым из художников открывал его мрачную красоту. В городских пейзажах Добужинский не стремился к топографической точности или детальной фиксации архитектурного облика здания, главным для него было передать неповторимую атмосферу места, особенность облика попавшего в орбиту его внимания городского „урочища". Тем не менее здание, изображенное на рисунке, вполне конкретно. Это один из корпусов Измайловских армейских складов, построенных на берегу Обводного канала в 1819-1822 годах по проекту архитектора В. П. Стасова (наб. Обводного канала, 173). (Ю. Солонович).
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Source http://www.virtualrm.spb.ru/ru/node/6017
Author
Mstislav Dobuzhinsky  (1875–1957)  wikidata:Q972018
 
Mstislav Dobuzhinsky
Description Russian-Lithuanian painter, university teacher, illustrator, graphic artist and exlibrist
Date of birth/death 2 August 1875 (in Julian calendar) Edit this at Wikidata 20 November 1957 Edit this at Wikidata
Location of birth/death Veliky Novgorod New York City
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creator QS:P170,Q972018
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This work was published on territory of the Russian Empire (Russian Republic) except for territories of the Grand Duchy of Finland and Congress Poland before 7 November 1917 and wasn't re-published for 30 days following initial publications on the territory of Soviet Russia or any other countries.

The Russian Federation (early Soviet Russia, RSFSR) is the historical heir but not legal successor of the Russian Empire, and the Russian Empire was not party to the Berne Convention (it was not country of Union for the protection of the rights of authors in their literary and artistic works), so according to article 5 of the Convention this work has no country of origin except:

  • in the case of cinematographic work the maker of which has his headquarters or his habitual residence in a country of the Union, the country of origin shall be that country,
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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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current20:03, 4 July 2018Thumbnail for version as of 20:03, 4 July 2018640 × 438 (105 KB)Shakko (talk | contribs){{Information |Description=Добужинский М.В. Петербург. Обводный канал. 1902. Бумага, акварель, графитный карандаш 22,2 х 32. Государственный Русский музей. "Жуткий" Обводный канал в начале века фактически являлся границей города. За ним начинались неблагоустроенные окраины, фабрики, заводы, склады. Этот мир притягивал Добужин-ского своей „томительной и горькой поэзией", он первым из художников открывал его мрачную красоту. В городских пейзажах Добужинский не стремился к топографической точно...

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