File:Pèlerins d'Emmaüs Veronese.jpg
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Paolo Veronese: Supper at Emmaus
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| Artist |
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| Title |
The Supper at Emmaus |
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| Object type |
painting  |
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| Genre |
religious art |
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| Description | |||||||||||||||||||||||||
| Depicted people |
Jesus |
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| Date | 2nd third of 16th century | ||||||||||||||||||||||||
| Medium |
oil on canvas |
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| Dimensions | height: 241 cm (94.8 in); width: 415 cm (13.6 ft) | ||||||||||||||||||||||||
| Collection |
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| Current location |
Paris |
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| Accession number |
INV 146 and MR 385 (Department of Paintings of the Louvre) |
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| References | |||||||||||||||||||||||||
| Authority file | |||||||||||||||||||||||||
| Source/Photographer | Paolo Veronese | ||||||||||||||||||||||||
| Other versions |
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Paolo Veronese
(1528–1588)   |
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_-_Museo_dell%27Ermitage.jpg) |
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| Alternative names |
Birth name: Paolo Caliari Paolo Cagliari / Paolo Caliari | ||
| Description | Italian painter, drawer, architectural draftsperson and visual artist | ||
| Date of birth/death |
1528 |
19 April 1588 / 9 April 1588 | |
| Location of birth/death |
Verona |
Venice | |
| Work location | |||
| Authority file | |||
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. | ||||
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
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| current | 17:04, 22 April 2010 | | 2,040 × 1,227 (1,019 KB) | Pethrus (talk | contribs) | {{Painting| |Title={{fr|Pèlerins d'Emmaüs}} |Technique= |Dimensions=241 × 415 cm |Location=Paris |Country= |Gallery=Musée du Louvre |Notes= |Source=Paolo Veronese |Year={{de| 2. Drittel 16. Jh.}} {{en|2nd third of 16th century}}{{fr|Deuxième moitiée |
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