File:Pierre Reymond - Pair of Saltcellars - Walters 44348, 44349.jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file (1,800 × 1,228 pixels, file size: 1.08 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Pierre Reymond: Pair of Saltcellars   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Pierre Reymond  (1513–1584)  wikidata:Q7192420
 
Pierre Reymond
Alternative names
Reymond
Description French enamelist
Date of birth/death circa 1513
date QS:P,+1513-00-00T00:00:00Z/9,P1480,Q5727902
after 1584
date QS:P,+1584-00-00T00:00:00Z/7,P1319,+1584-00-00T00:00:00Z/9
Authority file
artist QS:P170,Q7192420
Title
Pair of Saltcellars
Description
English: The coarse-grained salt available during the 16th century was expensive, and only the wealthy could afford to use it to season their food. In consequence, salt cellars, bowls for salt placed on the table, were prestige items. They usually come in pairs to accommodate a long table. As people were seated by status, it was important not to be seated "below the salt." Reymond put his monogram and the date on the top of these cellars where everyone could see them. Each cellar is decorated with profiles of men and women in 16th-century dress, with the exception of one nude figure. The woman stabbing herself is Lucretia, and the threatening man in a Roman helmet is Sextus Tarquinius. According to the ancient Roman historian Livy (59 BC-AD 17), Lucretia was raped by Tarquinius, a political rival of her husband, and thus dishonored. To redeem her family's honor, she killed herself. The morality of the period placed the responsibility for chastity on women, and the story of Lucretia was a well-known reminder.
Date 1547
date QS:P571,+1547-00-00T00:00:00Z/9
Medium painted enamel on copper
Dimensions Each height: 6.8 cm (2.6 in); width: 8 cm (3.1 in)
dimensions QS:P2048,6.8U174728
dimensions QS:P2049,8U174728
institution QS:P195,Q210081
Accession number
44.348, 44.349
Place of creation Limoges, France
Object history
  • Visconti Collection [date and mode of acquisition unknown]
  • Sale, Paris, March 13-16, 1854, lot 55
  • William Cosier [date and mode of acquisition unknown]
  • Sale, Christie's, London, April 5, 1894, lot 105
  • Charles Borradaile, Brighton, by purchase
  • George Robinson Harding, London, by purchase
  • Henry Walters, Baltimore, [date of acquisition unknown] by purchase
  • 1931: bequeathed to Walters Art Museum by Henry Walters
Credit line Acquired by Henry Walters
Source Walters Art Museum: Home page  Info about artwork
Permission
(Reusing this file)
VRT Wikimedia

This work is free and may be used by anyone for any purpose. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page.

The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. This correspondence has been reviewed by a Volunteer Response Team (VRT) member and stored in our permission archive. The correspondence is available to trusted volunteers as ticket #2012021710000834.

If you have questions about the archived correspondence, please use the VRT noticeboard. Ticket link: https://ticket.wikimedia.org/otrs/index.pl?Action=AgentTicketZoom&TicketNumber=2012021710000834
Find other files from the same ticket: SDC query (SPARQL)

Licensing

[edit]
Object
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
Photograph
w:en:Creative Commons
attribution share alike
This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Attribution: Walters Art Museum
You are free:
  • to share – to copy, distribute and transmit the work
  • to remix – to adapt the work
Under the following conditions:
  • attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
GNU head Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current14:21, 23 March 2012Thumbnail for version as of 14:21, 23 March 20121,800 × 1,228 (1.08 MB)File Upload Bot (Kaldari) (talk | contribs)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Pierre Reymond (French, ca. 1513-after 1584) |title = ''Pair of Saltcellars'' |description = {{en|The coarse-grained salt available during the 16th century was expe...