File:Pierre Reymond - Plaque with Solomon Turning to Idolatry - Walters 44197.jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file (1,553 × 1,800 pixels, file size: 3.23 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Pierre Reymond: Plaque with Solomon Turning to Idolatry   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Pierre Reymond  (1513–1584)  wikidata:Q7192420
 
Pierre Reymond
Alternative names
Reymond
Description French enamelist
Date of birth/death circa 1513
date QS:P,+1513-00-00T00:00:00Z/9,P1480,Q5727902
after 1584
date QS:P,+1584-00-00T00:00:00Z/7,P1319,+1584-00-00T00:00:00Z/9
Authority file
artist QS:P170,Q7192420
Title
Plaque with Solomon Turning to Idolatry
Description
English: In later life, Solomon, the Old Testament king famous for his wisdom, fell under the influence of his 700 foreign wives and turned to idolatry, building temples for their gods (1 Kings). This plaque and its companion "Jael Killing Sisera" are from a series "The Power of Women," based on engravings of around 1569, published in Antwerp by Philips Galle (1537-1612). Other subjects include Eve offering the Apple to Adam, Delilah Cutting Sampson's Hair, and Judith Killing Holofernes. The women are represented as using their sexuality to control men. The series mixes the heroic and the tawdry, making little concession to the exemplary bravery and achievements of Judith or Jahel. An example of social "backlash," the series was popular only where middle-class women had gained greater access to education and legal rights. Pierre Reymond, who monogrammed the plaques, is known for sophisticated painted enamel display tableware.
Date between 1550 and 1575
date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1550-00-00T00:00:00Z/9,P1326,+1575-00-00T00:00:00Z/9
(Renaissance
era QS:P2348,Q4692
)
Medium painted enamel and gilt on copper
Dimensions height: 30 cm (11.8 in); width: 24 cm (9.4 in)
dimensions QS:P2048,30U174728
dimensions QS:P2049,24U174728
institution QS:P195,Q210081
Accession number
44.197
Place of creation Limoges, France
Object history
Exhibition history Women Who Ruled: Queens, Goddesses, Amazons 1500-1650. The University of Michigan Museum of Art, Ann Arbor; The Dixon Gallery and Gardens, Memphis; Davis Museum and Cultural Center, Wellesley College, Wellesley. 2002.
Credit line Acquired by Henry Walters, 1928
Source Walters Art Museum: Home page  Info about artwork
Permission
(Reusing this file)
VRT Wikimedia

This work is free and may be used by anyone for any purpose. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page.

The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. This correspondence has been reviewed by a Volunteer Response Team (VRT) member and stored in our permission archive. The correspondence is available to trusted volunteers as ticket #2012021710000834.

If you have questions about the archived correspondence, please use the VRT noticeboard. Ticket link: https://ticket.wikimedia.org/otrs/index.pl?Action=AgentTicketZoom&TicketNumber=2012021710000834
Find other files from the same ticket: SDC query (SPARQL)

Other versions

Licensing

[edit]
Object
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
Photograph
w:en:Creative Commons
attribution share alike
This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Attribution: Walters Art Museum
You are free:
  • to share – to copy, distribute and transmit the work
  • to remix – to adapt the work
Under the following conditions:
  • attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
GNU head Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current03:52, 26 March 2012Thumbnail for version as of 03:52, 26 March 20121,553 × 1,800 (3.23 MB)File Upload Bot (Kaldari) (talk | contribs)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Pierre Reymond (French, ca. 1513-after 1584) |title = ''Plaque with Solomon Turning to Idolatry'' |description = {{en|In later life, Solomon, the Old Testament king...