File:Pieter Aertsen Christ and the Adulteress.jpg
Original file (1,126 × 743 pixels, file size: 163 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Pieter Aertsen: Christ and the woman taken in adultery | |||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q326548 |
||||||||||||||||||||||||
Title |
Christ and the Adulteress
label QS:Lit,"Cristo e l'adultera"
label QS:Lhu,"Krisztus és a házasságtörő"
label QS:Lsv,"Kristus och äktenskapsbryterskan"
label QS:Lpl,"Chrystus i Jawnogrzesznica"
label QS:Lnl,"Christus en de overspelige vrouw"
label QS:Lca,"Crist i la dona adúltera"
label QS:Lde,"Christus und die Ehebrecherin"
label QS:Len,"Christ and the Adulteress"
label QS:Lru,"Христос и блудница"
label QS:Lfr,"Le Christ et la femme adultère" label QS:Lde,"Marktszene mit Christ and the Adulteress
label QS:Lit,"Cristo e l'adultera"
label QS:Lhu,"Krisztus és a házasságtörő"
label QS:Lsv,"Kristus och äktenskapsbryterskan"
label QS:Lpl,"Chrystus i Jawnogrzesznica"
label QS:Lnl,"Christus en de overspelige vrouw"
label QS:Lca,"Crist i la dona adúltera"
label QS:Lde,"Christus und die Ehebrecherin"
label QS:Len,"Christ and the Adulteress"
label QS:Lru,"Христос и блудница"
label QS:Lfr,"Le Christ et la femme adultère" "label QS:Len,"Christ and the Adulteress
label QS:Lit,"Cristo e l'adultera"
label QS:Lhu,"Krisztus és a házasságtörő"
label QS:Lsv,"Kristus och äktenskapsbryterskan"
label QS:Lpl,"Chrystus i Jawnogrzesznica"
label QS:Lnl,"Christus en de overspelige vrouw"
label QS:Lca,"Crist i la dona adúltera"
label QS:Lde,"Christus und die Ehebrecherin"
label QS:Len,"Christ and the Adulteress"
label QS:Lru,"Христос и блудница"
label QS:Lfr,"Le Christ et la femme adultère" " |
||||||||||||||||||||||||
Object type | painting | ||||||||||||||||||||||||
Genre | religious art | ||||||||||||||||||||||||
Description |
Deutsch: Szene mit Christus und der Ehebrecherin im Mittelgrund. Die Bildaussage warnt vor den sinnlichen Gefahren der Welt. Hierauf verweisen diverse Vögel im Warenangebot, Anspielung auf „vögeln“ im Niederländischen und Deutschen damals wie heute Bezeichnung des Geschlechtsaktes. Auch der direkte Blickkontakt der Marktweiber zum Betrachter signalisierte dem Zeitgenossen Schamlosigkeit und erotisches Begehren. |
||||||||||||||||||||||||
Date |
1559 date QS:P571,+1559-00-00T00:00:00Z/9 |
||||||||||||||||||||||||
Medium | mixed technique on oak wood | ||||||||||||||||||||||||
Dimensions |
height: 122.5 cm (48.2 in); width: 180.5 cm (71 in) dimensions QS:P2048,122.5U174728 dimensions QS:P2049,180.5U174728 |
||||||||||||||||||||||||
Collection |
institution QS:P195,Q163804 |
||||||||||||||||||||||||
Accession number |
1378 |
||||||||||||||||||||||||
Object history | Erworben 1904 als Schenkung der Erben Karl Nikolaus Berg | ||||||||||||||||||||||||
References | Städel | ||||||||||||||||||||||||
Source/Photographer | allartpainting.com | ||||||||||||||||||||||||
Other versions |
|
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 09:36, 2 September 2009 | 1,126 × 743 (163 KB) | Acacia217 (talk | contribs) | {{Information |Description={{en|1=Pieter Aertsen's art}} |Source=http://www.allartpainting.com/christ-and-the-adulteress-p-17039.html |Author=Pieter Aertsen |Date= |Permission=A painting that is in the public domain because of its age. |other_versions= }} |
You cannot overwrite this file.
File usage on Commons
The following 8 pages use this file:
- Paintings by Pieter Aertsen
- Paintings in the Städel
- Paintings of Jesus Christ and the woman taken in adultery
- File:1559 Aertsen Marktstueck mit Christus und der Ehebrecherin anagoria.JPG
- File:Aertsen - Christ and the Woman Taken in Adultery.jpg
- File:Market Scene with Christ and the Adulteress (SM 1378).png
- File:Pieter Aertsen - Christ and the Adulteress - WGA0056.jpg (file redirect)
- File:Pieter Aertsen Christ and the Adulteress.jpg
File usage on other wikis
The following other wikis use this file:
- Usage on lt.wikipedia.org
- Usage on www.wikidata.org
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
JPEG file comment | AERTSEN, Pieter
(b. 1508, Amsterdam, d. 1575, Amsterdam) Christ and the Adulteress 1559 Oil on wood, 122 x 177 cm Städelsches Kunstinstitut, Frankfurt In the 16th century Antwerp rose to the position of the most significant trade and banking centre in Europe. In the area around this town there was an extensive cottage industry for the processing of English cloth and the production of glassware, soap, sugar, and other goods. The changing conditions in agriculture were almost equally revolutionary. The population increase at the beginning of the 16th century meant a greater demand for food, which had to be satisfied buy an agricultural system that was now no longer catering merely to itself but also to the market. After years of inadequate supplies the increase in food production was experienced by the general public as a great improvement - so much so, in fact, that it virtually demanded some form of artistic expression. Celebrating this new wealth in an almost solemn manner, the Amsterdam-born painter Pieter Artsen, who lived in Antwerp in 1555-56, depicted market scenes as part of biblical illustrations. However, instead of following traditional conventions and playing only a minor part in these illustrations, these market scenes dominate the biblical motifs so much that the latter are literally pushed into the background. In this painting Christ and the Adulteress, the biblical event takes place at the back, on the left, while the foreground is dominated by a market scene with peasants offering clay pots, baskets laden with fruit, vegetables such as onions, carrots, cucumbers and cabbages, as well as eggs, loaves of bread and large jugs of milk. It is this foreground which attracts our attention. There is also a peculiar mixture of time levels: the biblical scenario (with people wearing the clothes of antiquity) and the contemporary market scene (with sixteenth-century peasants) are intricately interwoven, as is shown in the Roman soldiers storming past the market stall. The same feature can be found in numerous other paintings of Aertsen.
Author: AERTSEN, Pieter Title: Christ and the Adulteress Time-line: 1501-1550 School: Flemish Form: painting Type: still-life |
---|
Structured data
Items portrayed in this file
depicts
- Religious paintings by Pieter Aertsen
- Dutch paintings in the Städel
- Renaissance paintings in the Städel
- Clogs in art
- Paintings of markets in Germany
- 16th-century paintings of Jesus Christ and the woman taken in adultery
- 1550s paintings in the Städel
- 1559 works in Frankfurt am Main
- 1559 paintings in Hesse
- 1550s religious paintings in Germany
- 1559 paintings in Germany
- 1550s paintings of Jesus Christ
- 1559 paintings of people
- Paintings of people with baskets
- Fruit vendors in art
- Vegetable vendors in art
- People with jugs in paintings
- Paintings by Pieter Aertsen in the Städel
- Artworks with known accession number
- Artworks with Wikidata item
- Artworks digital representation of 2D work
- PD-old missing SDC copyright status
- CC-PD-Mark
- PD-old-100-expired
- PD-Art (PD-old-100-expired)
- PD-Art missing SDC copyright status
- WGA form: painting
- WGA type: still-life
- WGA School: Netherlandish
- WGA time period: 1501-1550