File:Raffaello Ritratto di Agnolo Doni.jpg
Original file (804 × 1,153 pixels, file size: 145 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Raphael: Portrait of Agnolo Doni | |||||||||||||||||||||||||||
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Artist |
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Title |
Portrait of Agnolo Doni |
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Object type | painting | ||||||||||||||||||||||||||
Genre | portrait | ||||||||||||||||||||||||||
Depicted people | Agnolo Doni | ||||||||||||||||||||||||||
Date |
from 1505 until 1506 date QS:P,+1505-00-00T00:00:00Z/8,P580,+1505-00-00T00:00:00Z/9,P582,+1506-00-00T00:00:00Z/9 |
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Medium | oil on panel | ||||||||||||||||||||||||||
Dimensions |
height: 65 cm (25.5 in) ; width: 45 cm (17.7 in) dimensions QS:P2048,+65U174728 dimensions QS:P2049,+45U174728 |
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Collection |
institution QS:P195,Q866498 |
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Accession number |
61 (Galleria Palatina) |
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Object history | 1506 Collezione Doni; 1826 Palazzo Pitti, Galleria Palatina e Appartamenti, Firenze; 11-6-1940 Villa medicea di Poggio a Caiano, Poggio a Caiano; 31-10-1940 Eremo di Camaldoli, Poppi, Camaldoli; 8-6-1945 Galleria degli Uffizi, Palazzo degli Uffizi, Deposito, Firenze; 6-7-1945 Palazzo Pitti, Museo degli Argenti, Firenze; 1-1-1946 Palazzo Pitti, Galleria Palatina e Appartamenti, Firenze | ||||||||||||||||||||||||||
Notes |
Deutsch: Pendant zum Porträt seiner Gattin Maddalena Doni, geb. Strozzi, ebenso Palazzo Pitti |
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References | Inventario Palatina search/Ricerca per autore: Raffaello] | ||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/r/raphael/2firenze/1/31doni1.html" |
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Other versions |
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Licensing
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 13:08, 14 April 2006 | 804 × 1,153 (145 KB) | Luigi Chiesa (talk | contribs) | Raphael (1483-1520)<br> Portrait of Agnolo Doni<br> Oil on wood, 1506<br> 24 3/4 x 17 5/8 inches (63 x 45 cm)<br> Galleria Palatina (Palazzo Pitti), Florence Source: [http://www.artrenewal.org/index.html Art Renewal Center] {{Creator:Raffael}} {{PD-Art} |
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JPEG file comment | RAFFAELLO Sanzio
(b. 1483, Urbino, d. 1520, Roma) Portrait of Agnolo Doni 1506 Oil on wood, 63 x 45 cm Galleria Palatina (Palazzo Pitti), Florence This is the companion piece of the portrait of Maddalena Doni. The merchant Agnolo Doni married Maddalena Strozzi in 1503, but Raphael's portraits were probably executed in 1506, the period in which the painter studied the art of Leonardo most closely. The composition of the portraits resembles that of the Mona Lisa: the figures are presented in the same way in respect to the picture plane, and their hands, like those of the Mona Lisa, are placed on top of one another. But the low horizon of the landscape background permits a careful assessment of the human figure by providing a uniform light which defines surfaces and volumes. This relationship between landscape and figure presents a clear contrast to the striking settings of Leonardo, which communicate the threatening presence of nature. But the most notable characteristic that distinguishes these portraits from those of Leonardo is the overall sense of serenity which even the close attention to the materials of clothes and jewels (which draw one's attention to the couple's wealth) is unable to attenuate. Every element - even those of secondary importance - works together to create a precise balance. These works, linked not only by the kinship of the subjects, but also by their evident stylistic homogeneity, mark the beginning of Raphael's artistic maturity. The two portraits, which Vasari mentions, were originally in a hinged frame so that they could be opened and closed like a book. In a portrait diptych like this, a form very popular in the Renaissance, the man's portrait was usually on the left, the more important side heraldically.
Author: RAFFAELLO Sanzio Title: Portrait of Agnolo Doni Time-line: 1501-1550 School: Italian Form: painting Type: portrait |
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