File:Sarah Bayly Foldsone.jpg
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Captions
Summary
[edit]Anne Mee: Lady Sarah Bayley (1779-1852) ( ) | |||||||||||||||||||||
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Artist |
artist QS:P170,Q16858002 |
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Title |
Lady Sarah Bayley (1779-1852) |
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Description |
English: Portrait of Sarah Villiers (1779-1852), wife of Charles Nathaniel Bayly (1775-1853).
"This miniature is one of the series of paintings in the ‘Gallery of Beauties’ commissioned by George IV when Prince rRegent. These were portraits of fashionable ladies, one list of whom is in the Royal Archives and another printed in the Ladies Monthly Museum XVI (January 1814). A contemporary account records that the prince was ‘forming a superb boudoir for their reception’. Opulent frames for the paintings were ordered from Rundell, Bridge and Rundell in 1814. The series may have been conceived as a nineteenth-century version of the ‘Windsor Beauties’ painted by Sir Peter Lely for Anne Hyde, Duchess of York in 1662-5, and Sir Godfey Kneller’s ‘Hampton Court Beauties’ painted for Queen Mary around 1691. Anne Mee (1780/5-1851) was the daughter of the artist John Foldsone. She was educated in London and was a protégée and pupil of the portrait painter George Romney. Lady Courtown introduced her to Queen Charlotte, and Charlotte Papendiek, journalist and assistant keeper of the wardrobe to Queen Charlotte, described Anne Mee drawing the queen and princesses at Windsor in 1790. Mee visited frequently after that date. Her portraits are often characterised by large eyes, and by 1804 she was able to ask as much as 40 guineas for a miniature. The miniature is inscribed on the backing paper in ink: No. 17 Lady Foley, erased and followed by, in pencil: Lady Sarah Bailey 1813." |
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Date | Inscribed 1813 | ||||||||||||||||||||
Medium | watercolor on ivory | ||||||||||||||||||||
Dimensions |
height: 21.8 cm (8.5 in); width: 16.5 cm (6.4 in) dimensions QS:P2048,21.8U174728 dimensions QS:P2049,16.5U174728 |
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Collection |
institution QS:P195,Q1459037 |
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Accession number |
RCIN 420832 |
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Object history | Provenance: Painted for George IV when Prince Regent | ||||||||||||||||||||
References | Royal Collection RCIN 420832 | ||||||||||||||||||||
Source/Photographer | https://ehdu.livejournal.com/494267.html |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 05:05, 20 December 2018 | 930 × 1,280 (676 KB) | Charles Matthews (talk | contribs) | {{Information |description ={{en|1=Portrait of Lady Sarah Villiers (1779–1852), wife of Charles Nathaniel Bayly.}} |date =c.1810 |source =https://ehdu.livejournal.com/494267.html |author =Artist Anne Foldsone }} {{PD-old-100}} {{PD-1923}} Category:Anne Mee Category:1810s portraits Category:Women of England in art |
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Structured data
Items portrayed in this file
depicts
- Gallery of Beauties (Anne Mee - Royal Collection)
- Anne Mee
- 19th-century portrait miniatures in the Royal Collection of the United Kingdom
- 1810s portrait paintings from the United Kingdom (female)
- 1813 portrait paintings of women
- 19th-century portrait miniatures of sitting women at three-quarter length
- 19th-century portrait paintings of women with black dresses
- 19th-century portrait paintings of women with lace collars
- Portrait paintings of sitting women with left hand on chest
- Portrait paintings of sitting women with right hand holding books
- Portrait paintings of women of England