File:The 'Hercules' and 'Eenhorn' off Hoorn RMG L9756.jpg

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Bonaventura Peeters the Elder: The 'Hercules' and 'Eenhorn' off Hoorn  wikidata:Q50854561 reasonator:Q50854561
Artist
Bonaventura Peeters the Elder  (1614–1652)  wikidata:Q605860
 
Bonaventura Peeters the Elder
Alternative names
Bonaventura Peeters the Elder
Description Flemish painter, drawer and printmaker
Date of birth/death 23 July 1614 (baptised) 25 July 1652 Edit this at Wikidata
Location of birth/death Antwerp Edit this at Wikidata Hoboken, today Antwerp
Work location
Antwerp (1633-1641), Hoboken (1652)
Authority file
creator QS:P170,Q605860
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Bonaventura Peeters, the Elder
Title
The 'Hercules' and 'Eenhorn' off Hoorn Edit this at Wikidata
title QS:P1476,en:"The 'Hercules' and 'Eenhorn' off Hoorn Edit this at Wikidata"
label QS:Len,"The 'Hercules' and 'Eenhorn' off Hoorn Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre mythological painting Edit this at Wikidata
Description
English: The 'Hercules' and 'Eenhorn' off Hoorn

A painting showing the 'Hercules' and 'Eenhorn' off the port of Hoorn. The city harbour was a popular subject in 17th-century Holland and those painters who could represent the city's economic link with the sea found great success. The Dutch port cities had reason to be proud, since Holland's extraordinary wealth hinged on the pursuit and defence of global shipping. Peeters the Elder was born in Antwerp and he produced some of the finest Flemish marine paintings. He was commissioned to paint harbour views such as this by several proud city authorities, and he was made a Master of the Guild of Antwerp in the same year that he produced this painting, when he was only twenty.

The port of Hoorn is visible in the background, with the buildings of the town, such as the church tower and the fortifications on the far left, dominating the skyline. Best known for his dramatic shipwreck and storm pictures, in this painting Peeters works in a naturalistic idiom, evoking a breezy day in the roads off Hoorn. This was one of the most prosperous ports of the Zuider Zee and prominent for its involvement with East Indies trade and the fishing industry. The Dutch warship depicted on the right of the picture is the 'Hercules', which has just come to anchor and is lowering the sails on her fore and main masts. She flies the Dutch flag at the fore, and the flag of Hoorn. On her stern is a depiction of Hercules and the Lion and the motif of Hoorn. A man standing in the stern blows a trumpet and sailors are visible in the rigging. Immediately ahead of her, the stern of a small merchantman is visible. Beyond lies a second warship, the 'Eenhorn', with sails furled flying the Dutch double-prince flag of the Amsterdam Admiralty, together with the province of Holland's sailing flag. On the left is a single-masted speeljacht, a type of Dutch pleasure yacht common in the 17th century, flying the States General flag from mid-17th century. The identity of the 'Eenhorn' is uncertain since two ships called 'Eenhorn' are recorded; a warship of 34 guns built in 1623 and one of 30 guns built in 1625.

Peeters is perhaps better known for small-scale cabinet paintings to hang in prosperous private houses. This is a relatively large public painting by him. The painting is signed 'B.P' and dated.

The 'Hercules' and 'Eenhorn' off Hoorn
Date 1634
date QS:P571,+1634-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Frame: 1154 mm x 1832 mm x 130 mm;Overall: 39.4 kg;Painting: 813 mm x 1499 mm
institution QS:P195,Q7374509
Accession number
BHC1839
Notes Signed and dated 1634.
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/13318
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Other versions
Identifier
InfoField
Acquisition Number: 1934-30
id number: BHC1839
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current20:39, 17 September 2017Thumbnail for version as of 20:39, 17 September 20171,280 × 708 (750 KB) (talk | contribs)Royal Museums Greenwich Oil paintings (1634), http://collections.rmg.co.uk/collections/objects/13318 #882

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