File:Vincent Van Gogh - Plaster Statuette of a Female Torso (1887).jpg
Original file (2,217 × 3,027 pixels, file size: 2.19 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Vincent van Gogh: Plaster Statuette of a Female Torso | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q5582 |
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Title |
French: Statuette de plâtre: Torse de femme, vue de face Plaster Statuette of a Female Torso title QS:P1476,fr:"Statuette de plâtre: Torse de femme, vue de face"
label QS:Lfr,"Statuette de plâtre: Torse de femme, vue de face"
label QS:Lpl,"Torso kobiece"
label QS:Len,"Plaster Statuette of a Female Torso" |
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Object type | painting | |||||||||||||||||||||||||||
Genre | still life | |||||||||||||||||||||||||||
Date | Paris, Winter 1887 - 88 | |||||||||||||||||||||||||||
Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 73 cm (28.7 in); width: 54.1 cm (21.2 in) dimensions QS:P2048,73U174728 dimensions QS:P2049,54.1U174728 |
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Collection |
institution QS:P195,Q1920251 |
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Place of creation | Paris | |||||||||||||||||||||||||||
Object history |
Johanna van Gogh-Bonger, Amsterdam. Galerie Paul Cassirer, Berlin (acquired from the above, June 1910) Dr. Johannes Guthmann, Berlin-Cladow (acquired from the above) Léo Lewin, Breslau Dr. G. Schweitzer, Berlin (by 1929) sale, Galerie Cassirer, Berlin, 20 October 1932, lot 126 Private collection, Paris André Weil, Paris Walter Feilchenfeldt, Zurich (acquired from the above, 1952) Richard Feigen Gallery, New York (acquired from the above, 1954) Harry Spiro, New Orleans (acquired from the above, 1965) Acquired by the last owner, 1998. |
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Notes |
Catalogues raisonnés:
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References |
vangoghgallery.com Schlesische Sammlungen |
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Source/Photographer | Christie's, LotFinder: entry 5369401 (sale 2352, lot 48, New York, 3 November 2010) |
Licensing
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current | 20:37, 24 June 2013 | 2,217 × 3,027 (2.19 MB) | Botaurus (talk | contribs) | again | |
20:32, 24 June 2013 | 2,217 × 3,027 (2.18 MB) | Botaurus (talk | contribs) | == {{int:filedesc}} == {{Artwork |artist={{Creator:Vincent van Gogh}} |title={{title|en=Plaster Statuette of a Female Torso|fr=Statuette de plâtre: Torse de femme, vue de face }} |description= |date= Paris, {{other date|Winter|1887 - 88}} |medium= {{o... |
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File usage on Commons
The following 10 pages use this file:
- Paintings by Vincent van Gogh
- Vincent van Gogh catalogue raisonné, 1970 Faille
- Vincent van Gogh catalogue raisonné, 1971 Lecaldano
- Vincent van Gogh catalogue raisonné, 1990 Testori and Arrigoni
- Vincent van Gogh catalogue raisonné, 1996 Hulsker
- File:Van Gogh - Gipstorso (weiblich)8.jpeg
- File:Vincent Van Gogh - Plaster Statuette of a Female Torso (1887).jpg
- File:Vincent Willem van Gogh 050.jpg
- Category:Paintings of plaster torsos by Vincent van Gogh
- Category:Plaster Torso (female) by Vincent van Gogh with blue and yellow background
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- Girodaf kudjot va ayikyaf kulor (2) (trutca ke Van Gogh)
- Girodaf kudjot va ayikyaf kulor (3) (trutca ke Van Gogh)
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- Girodaf kudjot va ayikyaf kulor (5) (trutca ke Van Gogh)
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- Girodaf kudjot va ayikyaf kulor (7) (trutca ke Van Gogh)
- Girodaf kudjot va ayikyaf kulor (8) (trutca ke Van Gogh)
- Girodaf kudjot va ayikyef kulor (9) (trutca ke Van Gogh)
- Girodaf kudjot va badenyese ayikye (trutca ke Van Gogh)
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JPEG file comment | http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5369401 -------------------------------- Sale 2352 Lot 48, 3 November 2010 New York, Rockefeller Plaza ---------------------------------- Vincent Van Gogh (1853-1890) Statuette de plâtre: Torse de femme, vue de face oil on canvas 73 x 54.1 cm Painted in 1887 ----------------------------------- Provenance Johanna van Gogh-Bonger, Amsterdam. Galerie Paul Cassirer, Berlin (acquired from the above, June 1910). Dr. Johannes Guthmann, Berlin-Cladow (acquired from the above). Léo Lewin, Breslau. Dr. G. Schweitzer, Berlin (by 1929); sale, Galerie Cassirer, Berlin, 20 October 1932, lot 126. Private collection, Paris. André Weil, Paris. Walter Feilchenfeldt, Zurich (acquired from the above, 1952). Richard Feigen Gallery, New York (acquired from the above, 1954). Harry Spiro, New Orleans (acquired from the above, 1965). Acquired by the present owner, 1998. --------------------------------------------- Exhibited Berlin, Galerie Paul Cassirer, Vincent van Gogh, 1914, no. 43. Berlin, Galerie Mathiesen, 1927, no. 117. Berlin, Galerie Paul Cassirer, Vincent van Gogh, 1928, no. 11. Rotterdam, Museum Boymans, Vier Eeuwen Stilleven in Frankrijk, 1954, no. 115. Munich, Haus der Kunst, Vincent van Gogh, 1956, no. 107. Paris, Petit Palais, De Géricault à Matisse, 1959, no. 66. Paris, Musée Jacquemart-André, Vincent van Gogh, 1960, no. 195. Hamburg, Kunstverein, Wegbereiter der modernen Malerei Cézanne-Gauguin-Van Gogh-Seurat, May-July 1963, no. 77. New York, Solomon R. Guggenheim Museum, Vincent van Gogh and Expressionism, 1964. ---------------------------------------------- Lot Notes The two years that Van Gogh spent in Paris, from March 1886 until February 1888, represent a pivotal period in his career, during which he assimilated a host of diverse artistic currents and forged a distinctive personal style. George Shackelford has written, "During this two-year residence in Paris, he was to transform himself and his art, emerging from the self-imposed gloom of his Netherlandish manner into the full sunlight of his modern French style and changing himself from an unsure and untutored painter of peasant life into a radical member of the avant-garde" (Van Gogh Face to Face: The Portraits, exh. cat., Detroit Institute of Arts, 2000, p. 87). Throughout this period, in addition to painting from life, Van Gogh worked from plaster casts of ancient and Renaissance sculptures. Eleven paintings and more than thirty drawings of casts have survived from Van Gogh's time in Paris, of which the present example is among the largest, latest, and most elaborately worked. On the basis of its distinctive striated brushwork, it has been dated to the latter half of 1887, around the same time as Still-Life with Plaster Statuette and Two Novels (De la Faille, no. 360; fig. 1). Although Van Gogh's earlier paintings of plaster casts may be understood in large part as a student's attempts to hone his skill at the modeling of volumes, these two canvases transform the theme into an image of ripe sexuality. Jan Hulsker has written about the present example, "The painting is compelling and impressive; it is in a certain sense an idealized female nude serving as a substitute for a live model" (op. cit., 1996, p. 298). In the early years of his career, Van Gogh was fiercely opposed to the study of plaster casts. In a letter to his brother Theo dated April 1882, he recounted an argument with his mentor in The Hague, Anton Mauve, in which he flatly refused to draw from casts and became so angry that he smashed the plaster hands and feet to pieces: "And I thought, I will draw from casts only when these ones become whole and white again, and when there are no more hands and feet of living beings to draw from" (Letter to Theo 218/189). He changed his position radically, however, upon his move to Antwerp in late 1885. On 18 January 1886, he enrolled in the Antwerp academy, where working from casts was an important part of the curriculum; by January 20th, he could wC:\Program Files (x86)\IrfanView\i_view32.ini |
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