File:Action between HMS Nottingham and the Mars, 11 October 1746 RMG BHC0368.tiff

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Samuel Scott: Action between HMS Nottingham and the Mars, 11 October 1746  wikidata:Q50904480 reasonator:Q50904480
Artist
Samuel Scott  (1703–1772)  wikidata:Q2542057
 
Samuel Scott
Description British painter and watercolorist
Date of birth/death 1702 / circa / 1703 / between 1701 and 1702
date QS:P,+1701-00-00T00:00:00Z/8,P1319,+1701-00-00T00:00:00Z/9,P1326,+1702-00-00T00:00:00Z/9
 Edit this at Wikidata		 12 October 1772 Edit this at Wikidata
Location of birth/death London Edit this at Wikidata Bath Edit this at Wikidata
Work location
London, Twickenham, Ludlow
Authority file
creator QS:P170,Q2542057
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
Action between HMS Nottingham and the Mars, 11 October 1746 Edit this at Wikidata
label QS:Lde,"Seegefecht zwischen HMS Nottingham und der Mars am 11. Oktober 1746"
label QS:Len,"Action between HMS Nottingham and the Mars, 11 October 1746"
Object type painting Edit this at Wikidata
Genre marine art Edit this at Wikidata
Description
English: In June 1746 the French sent a powerful force to re-take Louisbourg and capture Nova Scotia. A long stormy journey from Brest and disease defeated them and the third surviving commanding officer, de la Jonquiere took the remnants back to France in early October. Several ships were captured by British cruisers and one of these was the ‘Mars’ which had been driven by bad weather as far south as Martinique, where she refitted. After sailing for France she fell in with the ‘Nottingham’, commanded by Captain Philip de Saumarez, and was taken after a two hour engagement. The ‘Mars’ was very short of men through disease and lost in the engagement 12 killed and 16 wounded. The ‘Nottingham’ had three killed and 16 wounded. The two ships are shown in action in the right half of the picture. The ‘Nottingham’ is on the right and the ‘Mars’ is in the act of striking, her main-mast shot away and her main-yard shot through. The left half of the picture is plain sea and sky. The engraving after Monamy from a drawing by Swaine is so similar to this picture that they must be connected. The museum has an engraving by N. Parr after a drawing by F. Swaine and a painting by P. Monamy which bears an uncanny resemblance to this painting.
Date 18th century
date QS:P,+1750-00-00T00:00:00Z/7
 Edit this at Wikidata
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 610 mm x 1005 mm; frame dimensions: 871 mm x 1254 mm x 60 mm
institution QS:P195,Q7374509
Current location
Royal Museums Greenwich
Accession number
BHC0368 (Royal Museums Greenwich) Edit this at Wikidata
Object history Possibly commissioned by George, 1st Baron Anson
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11860
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1931-28
Caird Catalogue Number (CCAT): CC V1, P8, 64
id number: BHC0368
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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current06:16, 3 October 2017Thumbnail for version as of 06:16, 3 October 20174,806 × 2,905 (39.94 MB)Fæ (talk | contribs)Royal Museums Greenwich Oil paintings, http://collections.rmg.co.uk/collections/objects/11860 #2162

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