File:Captain Sir Charles Christopher Parker (1792-1869) RMG BHC2930.tiff
Original file (5,104 × 6,470 pixels, file size: 94.48 MB, MIME type: image/tiff)
Captions
Summary
[edit]Thomas Uwins: Captain Sir Charles Christopher Parker (1792-1869) | |||||||||||||||||||||||||||
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Artist |
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Title | |||||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
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Genre | portrait | ||||||||||||||||||||||||||
Description |
English: Captain Sir Charles Christopher Parker (1792-1869) A half-length portrait, slightly to the left, showing Parker in a captain's full dress uniform (over three years) of the 1825-27 pattern. The painting is inscribed, signed and dated on the back of the canvas: 'Captain C. C. Parker, RN. painted by T. Uwins. Naples, 1826'. Charles Christopher Parker was the youngest son of Vice-Admiral Christopher Parker (1761–1804) and the grandson of Admiral Sir Peter Parker (1721–1811). In this highly naval family, Parker’s mother, Augusta, was the daughter of Admiral John Byron. He entered the Navy in June 1804, serving in the ‘Glory’ and then the ‘Barfleur’. In June 1805, he was with his brother, Peter, in the sloop ‘Weasel’ before moving to the ‘Eagle’, under Captain Charles Rowley, seeing action off the Italian coast. In 1809 he was in the Baltic in the ‘St George’ and then in the ‘San Josef’ in the Mediterranean. Parker was moved to the ‘Unité’ in May 1810 and promoted lieutenant on 17 June 1811. In August that year he was then invalided following a serious fall from the quarterdeck into the gun room. Recovered, he was in the ‘Menelaus’ in 1812, now commanded by his brother, before moving that May to the ‘Malta’ under Rear-Admiral Hallowell. He continued in her until promoted commander on 5 April 1815. From 1819 until he was posted captain on 23 April 1823, Parker was in the ‘Harlequin’, 18 guns, on the Irish coast. He saw no further service. He attained the ranks of rear-admiral (7 October 1852), vice-admiral (28 November 1857) and admiral (27 April 1863) on the retired list. He succeeded to the family baronetcy on 18 November 1835. Thomas Uwins RA (1782-1857) was a well-known English portrait, subject, genre and landscape painter (in watercolour and oil), and a book illustrator. later in life he was Surveyor of the Queen's Pictures (1844-56) and Keeper of the National Gallery (1847-55). From 1824 to 1831 he lived in Italy (mainly Naples) for his health, where this portrait was painted. |
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Depicted people | Sir Charles Parker, 5th Baronet | ||||||||||||||||||||||||||
Date |
1826 date QS:P571,+1826-00-00T00:00:00Z/9 |
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Medium | oil on canvas | ||||||||||||||||||||||||||
Dimensions | Painting: 635 mm x 508 mm; Frame: 812 mm x 672 mm x 75 mm | ||||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Current location | |||||||||||||||||||||||||||
Accession number |
BHC2930 |
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Notes | Signed and dated 1826. | ||||||||||||||||||||||||||
References | |||||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/14403 | ||||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Identifier InfoField | Acquisition Number: OP1956-1 id number: BHC2930 |
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Collection InfoField | Oil paintings |
Licensing
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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current | 20:11, 14 September 2017 | 5,104 × 6,470 (94.48 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings (1826), http://collections.rmg.co.uk/collections/objects/14403 #636 |
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Data arrangement | chunky format |