File:Captain Sir Charles Christopher Parker (1792-1869) RMG BHC2930.tiff

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Thomas Uwins: Captain Sir Charles Christopher Parker (1792-1869)  wikidata:Q50898745 reasonator:Q50898745
Artist
Thomas Uwins  (1782–1857)  wikidata:Q7794639
 
Thomas Uwins
Alternative names
Uwins; T. Uwins; R.A. Uwins
Description English painter and illustrator
Date of birth/death 24 February 1782 Edit this at Wikidata 26 August 1857 Edit this at Wikidata
Location of birth London Edit this at Wikidata
Work location
United Kingdom of Great Britain and Ireland; Kingdom of the Two Sicilies (1820s
date QS:P,+1820-00-00T00:00:00Z/8
–1850s
date QS:P,+1850-00-00T00:00:00Z/8
); Papal States (1824–1824) Edit this at Wikidata
Authority file
creator QS:P170,Q7794639
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
Captain Sir Charles Christopher Parker (1792-1869) Edit this at Wikidata
title QS:P1476,en:"Captain Sir Charles Christopher Parker (1792-1869) Edit this at Wikidata"
label QS:Len,"Captain Sir Charles Christopher Parker (1792-1869) Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: Captain Sir Charles Christopher Parker (1792-1869)

A half-length portrait, slightly to the left, showing Parker in a captain's full dress uniform (over three years) of the 1825-27 pattern. The painting is inscribed, signed and dated on the back of the canvas: 'Captain C. C. Parker, RN. painted by T. Uwins. Naples, 1826'.

Charles Christopher Parker was the youngest son of Vice-Admiral Christopher Parker (1761–1804) and the grandson of Admiral Sir Peter Parker (1721–1811). In this highly naval family, Parker’s mother, Augusta, was the daughter of Admiral John Byron. He entered the Navy in June 1804, serving in the ‘Glory’ and then the ‘Barfleur’. In June 1805, he was with his brother, Peter, in the sloop ‘Weasel’ before moving to the ‘Eagle’, under Captain Charles Rowley, seeing action off the Italian coast. In 1809 he was in the Baltic in the ‘St George’ and then in the ‘San Josef’ in the Mediterranean. Parker was moved to the ‘Unité’ in May 1810 and promoted lieutenant on 17 June 1811. In August that year he was then invalided following a serious fall from the quarterdeck into the gun room.

Recovered, he was in the ‘Menelaus’ in 1812, now commanded by his brother, before moving that May to the ‘Malta’ under Rear-Admiral Hallowell. He continued in her until promoted commander on 5 April 1815. From 1819 until he was posted captain on 23 April 1823, Parker was in the ‘Harlequin’, 18 guns, on the Irish coast. He saw no further service. He attained the ranks of rear-admiral (7 October 1852), vice-admiral (28 November 1857) and admiral (27 April 1863) on the retired list. He succeeded to the family baronetcy on 18 November 1835.

Thomas Uwins RA (1782-1857) was a well-known English portrait, subject, genre and landscape painter (in watercolour and oil), and a book illustrator. later in life he was Surveyor of the Queen's Pictures (1844-56) and Keeper of the National Gallery (1847-55). From 1824 to 1831 he lived in Italy (mainly Naples) for his health, where this portrait was painted.

Captain Sir Charles Christopher Parker (1792-1869)
Depicted people Sir Charles Parker, 5th Baronet Edit this at Wikidata
Date 1826
date QS:P571,+1826-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 635 mm x 508 mm; Frame: 812 mm x 672 mm x 75 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC2930
Notes Signed and dated 1826.
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14403
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: OP1956-1
id number: BHC2930
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current20:11, 14 September 2017Thumbnail for version as of 20:11, 14 September 20175,104 × 6,470 (94.48 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1826), http://collections.rmg.co.uk/collections/objects/14403 #636

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