File:James Bradley RMG L7803.tiff

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Benjamin Wilson: James Bradley  wikidata:Q50864695 reasonator:Q50864695
Artist
Benjamin Wilson  (1721–1788)  wikidata:Q817749 s:en:Author:Benjamin Wilson
 
Benjamin Wilson
Alternative names
Wilson; Ben. Wilson; B. Wilson; Benj. Wilson; wilson b.
Description English painter and printmaker
Date of birth/death 21 June 1721 Edit this at Wikidata 6 June 1788 Edit this at Wikidata
Location of birth/death Leeds Edit this at Wikidata London Edit this at Wikidata
Work location
Dublin (1748–1750); London (1750–1769) Edit this at Wikidata
Authority file
creator QS:P170,Q817749
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
English: James Bradley
Object type painting Edit this at Wikidata
Genre portrait Edit this at Wikidata
Description
Description

A portrait of James Bradley, 3rd Astronomer Royal, 1742-62, in contemporary carved pinewood frame, showing the sitter half-length to the right in clerical robes wearing a wig. The frame has carved floral spandrels, foliate scroll work and is surmounted by carved trophy finial emblematic of science and the arts. Bradley studied theology at Ballol College, Oxford between 1711 and 1714. At Oxford he developed an interest in astronomy, encouraged by Halley who was profesor at Oxford at the time. He did not leave the church until 1721 when he took up the post of Savilian Professor of Astronomy at Oxford. Between 1725 and 1726 he worked with a wealthy amateur astronomer Samuel Molyneux at Molyneux's private Observatory in Kew where observations of the apparent displacement of Gamma Draconis led him to discover aberration. Due to the orbital motion of the Earth, and the finite speed of light, a star appears in a position slightly displaced from its actual position - this is called aberration. Between 1727 and 1748 he made observations of the Moon, from which he discovered nutation. The effect of the precession of the Earth (the 'wobble' of the Earth on its axis) caused by the gravitational pull of the Sun and the Earth is caled nutation. In 1742 he was appointed Astronomer Royal. As well as completing his work on the Moon observations, he studied Jupiter, specifically its diameter and the eclipses of its satellites. Between 1748 and 1762 he made more than 60,000 observations which were posthumously published in two volumes (one in 1798, one in 1805). Bradley also set about re-requipping the Observatory and bringing it up to date. The transit instrument which Bradley put in place remained in use until replaced by Pond in 1816. It is the Bradley meridian (the line on which the transit circle is placed) that is used in the Ordnance Survey rather than the Airy meridian from which GMT is measured. Bradley is buried in Holy Trinity Church, Minchinhampton, Gloucestershire. The artist, Benjamin Wilson (bap. 1721, d. 1788), was a portrait painter and scientist. He was appointed sergeant-painter upon the death of Hogarth in 1764 and became painter to the Board of Ordnance in 1767. Interested in chemistry and electricity, Wilson was award the Copley Medal by the Royal Society in 1760 and was employed in the development of lighning conductors for St Paul's Cathedral.
A portrait of James Bradley, 3rd Astronomer Royal, 1742-62. Benjamin Wilson.

Depicted people James Bradley Edit this at Wikidata
Date circa  Edit this at Wikidata
Medium oil on canvas Edit this at Wikidata
Dimensions height: 123.2 cm (48.5 in) Edit this at Wikidata; width: 88.9 cm (35 in) Edit this at Wikidata
dimensions QS:P2048,+123.2U174728
dimensions QS:P2049,+88.9U174728
institution QS:P195,Q7374509
Current location
institution QS:P195,Q1199924
Accession number
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/203215
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Royal Greenwich Observatory inventory number: 006
id number: ZBA0722
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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current22:56, 3 October 2017Thumbnail for version as of 22:56, 3 October 20174,943 × 5,917 (83.68 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1750), http://collections.rmg.co.uk/collections/objects/203215 #2250

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