File:Rear-Admiral Sir Edward Brace, 1770-1843 RMG BHC2570.tiff
Original file (2,508 × 3,144 pixels, file size: 22.56 MB, MIME type: image/tiff)
Captions
Summary
[edit]Henry William Pickersgill: Rear-Admiral Sir Edward Brace, 1770-1843 | |||||||||||||||||||||||||||
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Artist |
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Title | |||||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
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Genre | portrait | ||||||||||||||||||||||||||
Description |
English: Rear-Admiral Sir Edward Brace, 1770-1843 Brace entered the navy in 1781, became Lieutenant in 1792, Commander in 1797 and Captain in 1800. In 1803 he became flag-captain to Admiral Cornwallis. He held commands at home and later in the Mediterranean until the end of the war with France. In 1816 he took command of the ‘Impregnable’ in Lord Exmouth’s squadron at the bombardment of Algiers where the ship was badly damaged because she failed to anchor in her proper station. He died while Commander-in-Chief at the Nore. Henry William Pickersgill (1782–1875), who studied under the landscape artist George Arnald from 1802–05 (see BHC0509), was a prolific and gifted artist whose sitters included William Wordsworth, Elizabeth Barrett Browning and the Duke of Wellington. Between 1806 and 1872 he exhibited nearly 400 pictures, mainly portraits, at the Royal Academy where this portrait was exhibited in 1837. He is shown wearing rear-admiral’s full dress uniform with the star and badge of the Order of the Bath. |
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Date |
1837 date QS:P571,+1837-00-00T00:00:00Z/9 |
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Medium | oil on canvas | ||||||||||||||||||||||||||
Dimensions | Painting: 1276 x 1022 x 26 mm; Frame: 1473 mm x 1215 mm x 95 mm | ||||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Current location | |||||||||||||||||||||||||||
Accession number |
BHC2570 |
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References | |||||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/14044 | ||||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Identifier InfoField | Acquisition Number: OP1968-15 id number: BHC2570 |
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Collection InfoField | Oil paintings |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 15:06, 14 September 2017 | 2,508 × 3,144 (22.56 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings (1837), http://collections.rmg.co.uk/collections/objects/14044 #622 |
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Width | 2,508 px |
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Height | 3,144 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 140 |
Number of components | 3 |
Number of rows per strip | 3,144 |
Bytes per compressed strip | 23,655,456 |
Data arrangement | chunky format |