File:Selfportrait (Eugène Jansson) - Nationalmuseum - 19161.tif

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Eugène Jansson: Self-portrait  wikidata:Q10669351 reasonator:Q10669351
Artist
Eugène Jansson  (1862–1915)  wikidata:Q647473
 
Eugène Jansson
Alternative names
Eugène Fredrik Jansson
Description Swedish painter
Date of birth/death 18 March 1862 Edit this at Wikidata 15 June 1915 Edit this at Wikidata
Location of birth/death Stockholm Stockholm
Authority file
artist QS:P170,Q647473
image of artwork listed in title parameter on this page
Depicted people
InfoField
Eugène Jansson
Title
English: Selfportrait
Svenska: Självporträtt
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: Eugène Jansson’s later paintings are populated mainly by nude, muscular men in gymnasiums or, as in this picture, at public baths. His paintings are regarded as typical of what was called vitalism, a movement focusing on health and the human body, which developed in reaction to industrialism and its consequences. Scenes in the vitalist spirit were often set in summer sunshine, where the warmth makes nudity appear more natural. This subject has also been interpreted in light of the artist’s homosexuality.
Svenska: I porträttet har Eugène Jansson skildrat sig själv som dandy, ett könsöverskridande mansideal i en tid då homosexuella handlingar var förbjudna enligt lag. Medan de traditionella könsrollerna hade befunnit sig i upplösning under 1870 - 80-talet kom det kring sekelskiftet 1900, precis som idag en motreaktion, en backlash. Eugen Jansson och hans samtida konstnärskamrater sökte då att utifrån olika positioner gestalta denna identitetskris där både ”femininitet” och ”manlighet” var ifrågasatta.

Eugène Jansson är idag främst känd som ”blåmålaren”, för sina nationalromantiska bilder från Stockholm. Under 1900-talets första år skiftade hans motivkrets från Stockholms ödsliga gator i skymningsljus, till storstadens människor, särskilt då nakna vältränade män som rörde sig i skarp solbelysning. Den av naturismen präglade människan var dåtidens nya manliga borgerliga ideal. Den muskulösa heroiska kroppen stod nu i centrum. Män skulle nå det genom friskvård och solbad, vilket då var en exklusivt manlig praktik. Den manliga kroppen skulle omformas enligt antika ideal.

Oavsett om motivet var den folktomma Stockholmsgatan eller ett myller av nakna manskroppar på Flottans badhus var det olika urbana platser, rum, aktiviteter och nöjen som Eugen Jansson gestaltade under hela sitt konstnärskap. Framväxten av en mer eller mindre dold homosexuell subkultur är en komponent i den tidiga moderna stadens utveckling. Janssons olika motivkretsar – mörka gator och badhus – knyts samman i att de gestaltar platser där män som älskade män kunde träffas och knyta kontakter.
Depicted people Eugène Jansson Edit this at Wikidata
Original caption
InfoField
English: Eugène Jansson’s later paintings are populated mainly by nude, muscular men in gymnasiums or, as in this picture, at public baths. His paintings are regarded as typical of what was called vitalism, a movement focusing on health and the human body, which developed in reaction to industrialism and its consequences. Scenes in the vitalist spirit were often set in summer sunshine, where the warmth makes nudity appear more natural. This subject has also been interpreted in light of the artist’s homosexuality.
Svenska: I porträttet har Eugène Jansson skildrat sig själv som dandy, ett könsöverskridande mansideal i en tid då homosexuella handlingar var förbjudna enligt lag. Medan de traditionella könsrollerna hade befunnit sig i upplösning under 1870 - 80-talet kom det kring sekelskiftet 1900, precis som idag en motreaktion, en backlash. Eugen Jansson och hans samtida konstnärskamrater sökte då att utifrån olika positioner gestalta denna identitetskris där både ”femininitet” och ”manlighet” var ifrågasatta.

Eugène Jansson är idag främst känd som ”blåmålaren”, för sina nationalromantiska bilder från Stockholm. Under 1900-talets första år skiftade hans motivkrets från Stockholms ödsliga gator i skymningsljus, till storstadens människor, särskilt då nakna vältränade män som rörde sig i skarp solbelysning. Den av naturismen präglade människan var dåtidens nya manliga borgerliga ideal. Den muskulösa heroiska kroppen stod nu i centrum. Män skulle nå det genom friskvård och solbad, vilket då var en exklusivt manlig praktik. Den manliga kroppen skulle omformas enligt antika ideal.

Oavsett om motivet var den folktomma Stockholmsgatan eller ett myller av nakna manskroppar på Flottans badhus var det olika urbana platser, rum, aktiviteter och nöjen som Eugen Jansson gestaltade under hela sitt konstnärskap. Framväxten av en mer eller mindre dold homosexuell subkultur är en komponent i den tidiga moderna stadens utveckling. Janssons olika motivkretsar – mörka gator och badhus – knyts samman i att de gestaltar platser där män som älskade män kunde träffas och knyta kontakter.
Date 1910
date QS:P571,+1910-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions
  • height: 203 cm (79.9 in); width: 110 cm (43.3 in)
    dimensions QS:P2048,203U174728
    dimensions QS:P2049,110U174728
  • Framed: height: 218 cm (85.8 in); width: 125 cm (49.2 in); depth: 5.5 cm (2.1 in)
    dimensions QS:P2048,218U174728
    dimensions QS:P2049,125U174728
    dimensions QS:P5524,5.5U174728
institution QS:P195,Q842858
Accession number
NM 2101
Exhibition history
Inscriptions
Svenska: Signerad: Eugène Jansson 1910
References
Source/Photographer Nationalmuseum
Permission
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This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

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current11:51, 7 October 2016Thumbnail for version as of 11:51, 7 October 20162,466 × 4,444 (31.38 MB)AndreCostaWMSE-bot (talk | contribs){{Artwork |other_fields_1 = {{depicted person|Eugène Jansson|style=information field}} |artist = {{Creator:Eugène Jansson}} |title = {{en|Selfportrait}} {{sv|Självporträtt}} |wikidata...

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