File:The Artist's Father (Carl Fredrik von Breda) - Nationalmuseum - 17944.tif
Original file (3,811 × 4,787 pixels, file size: 52.22 MB, MIME type: image/tiff)
Captions
Carl Frederik von Breda: The Artist's Father | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q2938914 |
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Depicted people InfoField | Lukas von Breda d.y. | ||||||||||||||||||||||||||
Title |
English: The Artist's Father Svenska: Konstnärens far, dispaschören Lucas von Breda. Knästycke |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | portrait | ||||||||||||||||||||||||||
Description |
English: Standing next to a storm-beaten coast, this man in his black gown recalls different images of death. As in Ingmar Bergman’s film The Seventh Seal. The painting is, however, a portrait of the artist’s father, Lucas von Breda. An average adjuster, his job was to investigate accidents at sea. This explains the special background and the depiction of the model as an emissary of fate who appears when vessels founder. The painting is also a good example of English influence on portraiture at that time. Svenska: Vid en stormpiskad kust för den här mannen med sin svarta mantel tankarna till olika gestaltningar av döden. Som den i Ingmar Bergmans film Det sjunde inseglet. Målningen är dock ett porträtt av konstnärens far, Lucas von Breda. Han var dispaschör, alltså någon som utreder sjöfartsolyckor. Därmed får den speciella bakgrunden sin förklaring och modellen framstår som en ödesgestalt som dyker upp där fartyg gått i kvav. Målningen är också ett bra exempel på tidens engelskinfluerade porträttideal. |
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Depicted people | Lucas von Breda | ||||||||||||||||||||||||||
Original caption InfoField | English: Standing next to a storm-beaten coast, this man in his black gown recalls different images of death. As in Ingmar Bergman’s film The Seventh Seal. The painting is, however, a portrait of the artist’s father, Lucas von Breda. An average adjuster, his job was to investigate accidents at sea. This explains the special background and the depiction of the model as an emissary of fate who appears when vessels founder. The painting is also a good example of English influence on portraiture at that time. Svenska: Vid en stormpiskad kust för den här mannen med sin svarta mantel tankarna till olika gestaltningar av döden. Som den i Ingmar Bergmans film Det sjunde inseglet. Målningen är dock ett porträtt av konstnärens far, Lucas von Breda. Han var dispaschör, alltså någon som utreder sjöfartsolyckor. Därmed får den speciella bakgrunden sin förklaring och modellen framstår som en ödesgestalt som dyker upp där fartyg gått i kvav. Målningen är också ett bra exempel på tidens engelskinfluerade porträttideal. |
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Date |
1797 date QS:P571,+1797-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 941 |
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Exhibition history |
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Inscriptions |
Svenska: Signerad: C.F.V. Breda 1797 |
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References | Nationalmuseum Sweden artwork ID: 17944 | ||||||||||||||||||||||||||
Source/Photographer | Cecilia Heisser / Nationalmuseum | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 18:41, 7 October 2016 | 3,811 × 4,787 (52.22 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = {{depicted person|Lukas von Breda d.ä.|style=information field}} |artist = {{Creator:Carl Fredric von Breda}} |title = {{en|The Artist's Father}} {{sv|Konstnärens far,... |
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Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D3X |
Author | Nationalmuseum/chr |
Exposure time | 1/100 sec (0.01) |
F-number | f/8 |
ISO speed rating | 100 |
Date and time of data generation | 14:07, 21 April 2015 |
Lens focal length | 60 mm |
Width | 3,811 px |
Height | 4,787 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 31,332 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 4,787 |
Bytes per compressed strip | 54,729,771 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CC (Macintosh) |
File change date and time | 15:35, 21 April 2015 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 14:07, 21 April 2015 |
APEX shutter speed | 6.643856 |
APEX aperture | 6 |
APEX exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire |
DateTime subseconds | 50 |
DateTimeOriginal subseconds | 50 |
DateTimeDigitized subseconds | 50 |
Color space | Uncalibrated |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 60 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
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