File:The Battle of Quiberon Bay, 20 November 1759 RMG BHC0400.tiff
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Captions
Summary
[edit]Dominic Serres: The Battle of Quiberon Bay, 20 November 1759 | |||||||||||||||||||||||||||
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Artist |
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Author |
Dominic Serres, the Elder |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | marine art | ||||||||||||||||||||||||||
Description |
English: The Battle of Quiberon Bay, 20 November 1759 The Battle of Quiberon Bay, on 20 November 1759, was the most decisive naval encounter during the Seven Years War, 1756-63, a conflict involving the major European colonial powers and fought around the globe. France had been at war with Britain since 1756, her position in Canada, India and the West Indies was on the point of collapse and in Europe she faced stalemate against Prussia, which received British support. The battle resulted in the destruction of the French Brest fleet and occurred when the French broke out of the five-month English blockade of Brest. In an attempt to solve her problems the French planned to land an army of 20,000 men in Ireland. This force was assembled largely in the gulf of Morbihan in southern Brittany under the Duc d'Aiguillon, and was to be escorted by the Brest fleet under Admiral de Conflans. Admiral Sir Edward Hawke's Channel Fleet blockaded Brest to prevent the French leaving to collect the troop transports, but during a gale in the first week of November, Hawke's ships were forced to run for shelter in Torbay, giving de Conflans the chance to escape. On hearing that the French had done so Hawke went in pursuit and, on 20 November, sighted him 20 miles out to sea. De Conflans, relying on local knowledge, ordered his fleet to take refuge in Quiberon Bay, south of Morbihan, assuming Hawke would not follow, both because night was quickly coming on and when he saw the area was one of ill-charted rocks, reefs and wild seas. This was a miscalculation, for Hawke relentlessly pursued him into the bay, losing two of his own ships on the outer reefs but sinking the French 'Thesee' outright and otherwise decimating de Conflans' force in what became an action practically in the dark. The French flagship ‘Soleil Royal’ went aground in the bay, near Le Croisic, and was burnt the following day. Others were captured and, of the few which managed to escape into the mouth of the River Vilaine, all were trapped for months, and one more lost by grounding. This action stopped any French plans to invade Britain during the Seven Years War. The famous naval song 'Heart of Oak' was composed to commemorate the battle, which was fought so close inshore that contemporary accounts reported that 10,000 persons watched it from the coast. This painting shows Hawke's 'Royal George' in the middle (with his squadronal colour as Admiral of the Blue at the mainmast): de Conflans' 'Soleil Royal', correctly shown as a two-decker, with white at the main above a red flag, is second from the right. Serres painted a larger version of this composition in 1766, also previously in the Museum, but disposed of as a duplicate in 1995. This one, dated 1779, was painted for Captain William Locker, a protege of Hawke's who was a lieutenant in the 'Sapphire' at Quiberon Bay and became a considerable patron of artists, Serres in particular. From 1793, just after the start of the French Revolutionary War, he was Lieutenant-Governor of Greenwich Hospital for Seaman, and presented this picture to it in June that year. In 1795 he also proposed that the Hospital's Painted Hall be turned into a national gallery of naval art. This got no further at the time but in 1824 was carried into effect in 1824 by his son Edward Hawke Locker, then the Hospital Secretary. |
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Date |
1779 date QS:P571,+1779-00-00T00:00:00Z/9 |
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Medium | oil on canvas | ||||||||||||||||||||||||||
Dimensions | Painting: 1143 mm x 1828 mm; Frame: 1365 mm x 2125 mm x 165 mm | ||||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Current location | |||||||||||||||||||||||||||
Accession number |
BHC0400 |
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Notes | Signed and dated 1779. | ||||||||||||||||||||||||||
References | |||||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/11892 | ||||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Other versions |
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Identifier InfoField | Greenwich Hospital Collection number: GH259 Loan File Number: Y2000.023 entry number: BHC0400 file number: 4G10.031 id number: BHC0400 |
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Collection InfoField | Oil paintings |
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This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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current | 16:24, 25 September 2017 | 6,336 × 3,672 (66.56 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings (1779), http://collections.rmg.co.uk/collections/objects/11892 #1381 |
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