File:The Battle of the Nile, 1 August 1798 RMG BHC0513.tiff
Original file (7,200 × 4,963 pixels, file size: 102.23 MB, MIME type: image/tiff)
Captions
Summary
[edit]Nicholas Pocock: The Battle of the Nile, 1 August 1798 | |||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q1859751 |
||||||||||||||||||||||||
Title | |||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
||||||||||||||||||||||||
Description |
English: The Battle of the Nile, 1 August 1798 A depiction of a battle during the French Revolutionary War, 1793-1802. On 19 May 1798, Napoleon sailed from Toulon on his hazardous adventure to Egypt, capturing Malta en route. On realizing this, Rear-Admiral Sir Horatio Nelson initially looked for them at Alexandria, and finding no French there, sailed back to Syracuse in Sicily to reposition before returning to Alexandria. There, on 1 August, he received a signal that the French fleet had been sighted anchored in Aboukir Bay, 15 miles east of Alexandria. Thence Nelson headed, driven by a fresh breeze, and appeared off Aboukir Island at 5.30 pm. Despite the failing daylight, his ships immediately attacked the head of the unprepared French fleet at anchor, commanded by Admiral Brueys. Three ships rounded the bows of the leading French ships, one passing between the first and second ship and another between the sixth and seventh. The painting shows the start of the action, at about 6.30 pm, looking north-west across Aboukir Bay, at sunset, from an elevated viewpoint to the south of the bay. Nelson's fleet, led by Captain Foley's 'Goliath', 74 guns, is shown in the process of doubling the head of the anchored French line, with the Aboukir fort beyond. The attack on the French centre is from seaward but the British ship 'Zealous', 74 guns, can be seen rounding the bows of the French 'Gueerier', 74 guns, at the head of the French line, to lead an attack on the enemy van division from the landward side. In the right foreground is the rearmost of the anchored French ships of the line, the 'Timoleon', 74 guns, in port-quarter view. Ahead of her, stretch the rest of the French fleet into the background in the centre of the picture. The names ahead of the 'Timoleon' are, 'Généreux', 74 guns, 'Guillaume Tell', 80 guns, 'Mercure', 74 guns, 'Heureux', 74 guns, 'Tonnant', 80 guns, 'L'Orient', 120 guns (Brueys's flagship), 'Franklin', 80 guns, 'Peuple Souveraan', 74 guns, 'Aquilon', 74 guns, 'Spartiate', 74 guns, 'Conquerant', 74 guns, and 'Guerrier', 74 guns. Across the right background, the British fleet is sailing into position from right to left and the 'Goliath' has just rounded the head of the French line. In the left foreground both the turbaned figures holding staffs and gesturing towards the action in the bay, and the carefully positioned palm trees, evoke the sense of place. Offshore in the centre is the French frigate 'Justice', 40 guns, anchored in port-quarter view, and ahead of her the 'Diane', 40 guns. Two more anchored stern-on and further off and to the left are the 'Artemise', 40 guns, and the 'Serieuse', 36 guns. In the left background, Aboukir Island is shown with guns firing from the French fort and the gunboats on the left. By the time the battle was at its height, night had fallen. Many of Pocock's preparatory sketches for the Battle of the Nile survive and the artist placed considerable importance on accuracy, referring to his annotated drawings and sketch plans in the production of his oil paintings. Pocock was born and brought up in Bristol, went to sea at the age of 17 and rose to command several merchant ships. Although he only took up painting as a profession in his early forties, he became extremely successful, receiving commissions from naval commanders anxious to have accurate portrayals of actions and ships. By the age of 80, Pocock had recorded nearly forty years of maritime history, demonstrating a meticulous understanding of shipping and rigging with close attention to detail. The painting is signed and dated 'N Pocock 1808'. |
||||||||||||||||||||||||
Date |
1808 date QS:P571,+1808-00-00T00:00:00Z/9 |
||||||||||||||||||||||||
Medium | oil on canvas | ||||||||||||||||||||||||
Dimensions | Frame: 868 mm x 1174 mm x 85 mm;Painting: 710 mm x 1015 mm | ||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
||||||||||||||||||||||||
Current location | |||||||||||||||||||||||||
Accession number |
BHC0513 |
||||||||||||||||||||||||
Notes | Signed and dated 1808. | ||||||||||||||||||||||||
References | |||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/12005 | ||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
||||||||||||||||||||||||
Identifier InfoField | Acquisition Number: 1938-1270 id number: BHC0513 |
||||||||||||||||||||||||
Collection InfoField | Oil paintings |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 11:00, 25 September 2017 | 7,200 × 4,963 (102.23 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings (1808), http://collections.rmg.co.uk/collections/objects/12005 #1365 |
You cannot overwrite this file.
File usage on Commons
The following 3 pages use this file:
File usage on other wikis
The following other wikis use this file:
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Width | 7,200 px |
---|---|
Height | 4,963 px |
Bits per component |
|
Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 140 |
Number of components | 3 |
Number of rows per strip | 4,963 |
Bytes per compressed strip | 107,200,800 |
Data arrangement | chunky format |
Structured data
Items portrayed in this file
depicts
- Pages with complex technique templates
- Artworks with known accession number
- Artworks with Wikidata item
- Artworks with Wikidata item missing genre
- Artworks digital representation of 2D work
- PD-old missing SDC copyright status
- CC-PD-Mark
- PD-old-100-expired
- PD-Art (PD-old-100-expired)
- PD-Art missing SDC copyright status
- Images uploaded by Fæ